Řeuŋnie
Ryhota /ˈəʊrɛfə/ (Ouřefŕnie cítnŕ /əʊrɛfɐːɲeː tsijʔtnɐː/) is an a priori conlang inspired by Czech, Dutch, and Cantonese.
todo
Words
euj = (literary) lo, behold
Diachronics
- OSL
- Czech-like depalatalization and hard/soft vowel splits
- Palatalization-dependent GVS, then another depalatalization?
- Old Ryhota ć dź ś ź merge into c z s z
- n- > l- (unless assimilating)
Test
Woeŋanies uistřivt melouk lo vahrádyvijŋ, ar mezryz wodmyce bacirnje řeunie aš ŋávej tjemzánisie. Evloedr wie doezanejne hář, po ryhoteuŋ.
Phonology
"Czech with more vowels and simpler phonotactics" or "Play up the Dutch in Czech"
Consonants
| Labial | Alveolar | Palatal(ized) | Velar | ||||||
|---|---|---|---|---|---|---|---|---|---|
| Nasal | m /m/ | n /n/ | nj /ɲ/ | ŋ /ŋ/ | |||||
| Plosive | p /p/ | b /b/ | t /t/ | d /d/ | tj /c/ | dj /ɟ/ | k /k/ | g /g/ | |
| Fricative | f /f/ | v /v/ | s, š /s/ | z, ž /z/ | ch /x/ | ||||
| Affricate | c, č /ts/ | ||||||||
| Flap | r /ɾ/ | ||||||||
| Trill | ř /r~r̥/ | ||||||||
| Approximant | w /β/ | l /l~ɫ/ | j /j/ | ||||||
Word-initial h is silent; ' is always silent (with no effect on pitch).
m n ŋ l can be syllabic; when syllabic they are written ḿ ń ŋ́ ĺ and have the same length as long vowels.
Voiceless stops are unaspirated as in Dutch and Czech.
Obstruent voicing assimilation as in Slavic.
Glottal reinforcement, but no gemination
/l/ has the same l~ɫ allophony as in RP; vocalization of dark L to [w] possible
In the Ouřefian accent, r is always a tap [ɾ]. In the Lo'edjeuan accent, r can be uvular.
In the Ouřefian accent, ř is realized as a voiceless trill [r̥] in voiceless environments (word-finally and adjacent to a voiceless consonant). In the Lo'edjeuan accent, ř is always voiceless [r̥]. In dialects, ř is variously pronounced like [r̝] (the Czech ř), [ʐ], [ʂ], [ʒ], [ʃ], or [ð], or merges with r.
In stylized or archaizing registers, ř, h and ' are still pronounced as [r̝ ʕ ʔ].
Notes on consonant diachronics
Ryhota shows debuccalization of Proto-Idavic *g to h /ʕ/; compare Dutch, Czech and Ukrainian. Proto-Nabŋaic *b has shifted to v. /p b g/ are loan phonemes.
Proto-Idavic *ť ď has shifted to *č dž > c z.
Vowels
The spelling of Ryhota vowels reflects a shift similar to the Great Vowel Shift (cf. Common Czech and Dutch), which also affects loanwords borrowed before the shift, such as most Netagin loans in Ryhota.
a e/je i/y o u á é ij/ei ó ú ae eu/ui ie oe ou ŕ /ɐ ɛ ɪ ɔ ɵ aː ɛː ɛɪ~ɪj aː yː~ʉː ae œː ɪː oː~uː əʊ~əʏ ɜː/
Closer allophones [ɪj~eɪ] of /ɛɪ/ are more common after palatals /c ɟ ɲ/.
- je i ie í eu are palatalizing; all other orthographic vowels are nonpalatalizing.
- For C = b p v f, Cje Ceu Cí denote /Cjɛ Cjœː Cjɛɪ/; mje meu mij denotes /mɲɛ mɲœː mɲɛɪ/.
- For C = d t n, Cje Ci Cie Cí Ceu denote /ɟ c ɲ/ + vowel.
- ó mostly occurs in loanwords from Netagin.
Notes on vowel diachronics
Ryhota has lost Proto-Nabŋaic vowel length. Pre-Proto-Nabŋaic i u e a ī ū ē ā become e o e a i y ě o when not lengthened. Some vowel devoicing has occurred (cf. Japanese), which gave Ryhota more consonant clusters.
Long vowels result from open-syllable lengthening (OSL): **čettijn > *četijn; **četijn > *čétijn. OSL occurred before the devoicing, making the Ourefr distribution of long vowels somewhat similar to Czech.
Modern ie ý/í oe ú result from older 'ää ý/í ó ú. Old Ryhota u, ú has shifted to i, ij after soft consonants j č ž š ň *ľ ř.
Palatalizing eu /œː/ is common in native words. Common sources are:
- Old Ryhota /æː/ before velars or /l/: for example, řeuŋ /rœːŋ/ 'wind' comes from Old Ryhota řa̋ŋ < PNab *rěŋu < PId *renwi.
- Old Ryhota long /juː/, coming from PId /ew/ or /iw/.
Non-palatalizing ui /œː/ comes mostly from historical *ujV or loanwords.
Most speakers today are in the process of merging /ɜː/ into á /aː/.
As suggested by the spelling, ŕ /ɜː/ comes from syllabic r.
ae mostly comes from historical aje or awe.
Downstep
Ryhota has pitch accent. Non-initial h (historically /ɦ/, from earlier /g/) is realized as suprasegmental pharyngealization which acts on a syllable level: vowels in affected syllables are lengthened, lowered, and pharyngealized, and the syllable gains a downstep. On the other hand, ' (historically /ʔ/) in the same position would indicate lack of a downstep. For example,
- Vh# or VhC indicates [+phar]ꜜ: ftoh /ftoꜜ/ 'riverbank; coast' is read as [ftɔː], but the genitive/dative sg. ftohy /ftɔˤːꜜɪ/ is pronounced [ftɔ̌ːɪ̀], and ftohta (instrumental/locative plural) is pronounced [ftɔ̌ːtà].
- VhV indicates V[+phar]ꜜV: ksaha /ksaꜜa/ 'stranger' is read as [ksâː], and the genitive sg. ksah /ksaꜜ/ is pronounced [ksǎː].
h also removes falling components from preceding diphthongs: aeh ouh ýh are pronounced [aːꜜ œːꜜ ɛːꜜ].
Historically hard-soft vowel pairs
- hard y ~ soft i
- hard u ~ soft i
- hard a ~ soft ě
- hard ei ~ soft ij
- hard á ~ soft ie/eu
- hard ou ~ soft eu
- hard ui ~ soft eu
- hard oe ~ soft ie
- hard ú ~ soft ij
Long vowels result from OSL ćettijn > cetijn; ćetijn > cétijn
Morphology
Inflectional morphology is Slavic and Germanic-inspired; clitics and syntax are Japanese-inspired
Nouns
Lots of broken plurals
Pronouns
Postpositions
Unlike in Standard Average Talman languages, all adpositions in Ryhota are postpositions, though they look like inflected prepositions when inflected for person. They derive from old prepositions and possessed nouns (including verbal nouns). Postpositions always agree with their objects: for example, ouda mi (man for-3SG.AN) translates as 'for the man'.
Verbs and adjectives
vej- for negation; generally like Korean, except verbs also inflect for the animacy of the subject and object, with inverse marking.
get hard and soft allo-stems (cf. different "theme vowels" for Japanese verb forms)
Clitics
Topic particle na
Numerals
Derivational morphology
Proto-Ryhota had an extensive array of derivational affixes.
Native
- -oelie '-ess'
- -(y)tj/-(i)tj/-tje diminutive
- -em/-m verbal noun
- -vŕ patient
- -fa agent
- -koek instrument
- -ář diminutive
- -yCe/-iCe (C = redup) diminutive; not very productive
- -ngoeh abstract noun
- -myc (soft) abstract noun
Borrowed
Syntax
Lifted from Korean and Japanese; completely head-final except in poetry.
Poetry
Poetic forms are influenced by Netagin; piyyut-like rhyming (i.e. last syllables agree) is the most common way to rhyme two words.
Sample text
UDHR
Tkanje krotu na héčti kfa botsínae vo, oedḿŋo'il ze wakŕvil páčta navŕsínaes. Krotý na toudžḿnil rachúbiníl ze mačídil sfáším vo, iezoer oŋužeuv lama jŕmi ŋ́ku-teuzimi wášil wecsáš hoezách mienis.