Glommish/Musical system: Difference between revisions

Line 55: Line 55:
*Andrie '''Hóchenhym''', composer and tuning theorist; proposed 29edo as a tuning for Thedish fixed pitch instruments like accordions and mandoles so that both European music and North African music could be played
*Andrie '''Hóchenhym''', composer and tuning theorist; proposed 29edo as a tuning for Thedish fixed pitch instruments like accordions and mandoles so that both European music and North African music could be played
*Marczel '''Myna''', composer
*Marczel '''Myna''', composer
*Davúd '''Lióbacz''', composer known for contrapuntal maqam music
*Davúd [???], prolific symphonist (wrote 50 symphonies)
*Elizabeth '''Lobotch''', composer known for contrapuntal maqam music
**''Six Cello Suites after Bach'' in G Rast, D Saba, C Hijaz, Eb Ajam, C Nahawand, and D Bayat
**''Six Cello Suites after Bach'' in G Rast, D Saba, C Hijaz, Eb Ajam, C Nahawand, and D Bayat
*Walter '''Ytfield''', contemporary tuning theorist and maqam scholar
*Walter '''Ytfield''', contemporary tuning theorist and maqam scholar
**the Lióbacz-Ytfield dispute on whether maqams are scales or melodic frameworks
**the Lióbacz-Ytfield dispute on whether maqams are scales or melodic frameworks
*Arve '''Anedь''', minimalist composer
*Arve '''Anedь''', minimalist composer
7,731

edits