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*Andrie '''Hóchenhym''', composer and tuning theorist; proposed 29edo as a tuning for Thedish fixed pitch instruments like accordions and mandoles so that both European music and North African music could be played | *Andrie '''Hóchenhym''', composer and tuning theorist; proposed 29edo as a tuning for Thedish fixed pitch instruments like accordions and mandoles so that both European music and North African music could be played | ||
*Marczel '''Myna''', composer | *Marczel '''Myna''', composer | ||
*Davúd ''' | *Davúd [???], prolific symphonist (wrote 50 symphonies) | ||
*Elizabeth '''Lobotch''', composer known for contrapuntal maqam music | |||
**''Six Cello Suites after Bach'' in G Rast, D Saba, C Hijaz, Eb Ajam, C Nahawand, and D Bayat | **''Six Cello Suites after Bach'' in G Rast, D Saba, C Hijaz, Eb Ajam, C Nahawand, and D Bayat | ||
*Walter '''Ytfield''', contemporary tuning theorist and maqam scholar | *Walter '''Ytfield''', contemporary tuning theorist and maqam scholar | ||
**the Lióbacz-Ytfield dispute on whether maqams are scales or melodic frameworks | **the Lióbacz-Ytfield dispute on whether maqams are scales or melodic frameworks | ||
*Arve '''Anedь''', minimalist composer | *Arve '''Anedь''', minimalist composer |
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