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Verse:Irta/Music: Difference between revisions
→Azalic music
(Azalic in Europe is almost exclusively British) Tags: Mobile edit Mobile web edit |
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In Irtan cultures outside the Azalic Urheimat but influenced by Azalic culture, 16ed12/7, and its octave equivalent counterpart 41edo, became the most prominent tuning whereas Irta's North Africa (the Azalic Urheimat) mostly uses variations on 16 tone octave equivalent and related scales. Crannish music, which is generally polyphonic, uses harmonic series approximations to 16edo. | In Irtan cultures outside the Azalic Urheimat but influenced by Azalic culture, 16ed12/7, and its octave equivalent counterpart 41edo, became the most prominent tuning whereas Irta's North Africa (the Azalic Urheimat) mostly uses variations on 16 tone octave equivalent and related scales. Crannish music, which is generally polyphonic, uses harmonic series approximations to 16edo. | ||
Azalic scales directly influenced the music of Irta's Southern United States and Mexico. | |||
== Irta Irish classical music == | == Irta Irish classical music == | ||