7,731
edits
Verse:Irta/Music: Difference between revisions
Jump to navigation
Jump to search
no edit summary
Tags: Mobile edit Mobile web edit |
No edit summary Tags: Mobile edit Mobile web edit |
||
| Line 149: | Line 149: | ||
*Harikāmbhoji: C D E F G A Bb | *Harikāmbhoji: C D E F G A Bb | ||
*Dharavelāvali: C D E F G A B | *Dharavelāvali: C D E F G A B | ||
*Nādinalināngi: C D E F G A# B | |||
*Pālasāmanta: C D# E F G Ab Bbb | |||
*Khagavāhini: C D# E F G Ab Bb | |||
*Gaganamanohari: C D# E F G Ab B | |||
*Bhāgeshwaram: C D# E F G A Bb | |||
*Malināmbari: C D# E F G A B | |||
*Chalanāta: C D# E F G A# B | |||
*Sālagam: C Db Ebb F# G Ab Bbb | |||
*Dalābhishekam: C Db Ebb F# G Ab Bb | |||
*Dhālivarāli: C Db Ebb F# G Ab B | |||
*Navavati: C Db Ebb F# G A Bb | |||
*Pāvanasaurāshtram: C Db Ebb F# G A B | |||
*Ravabhūshani: C Db Ebb F# G A# B | |||
*Lavamāruva: C Db Eb F# G Ab Bbb | |||
*Bhavāni: C Db Eb F# G Ab Bb | |||
*Shivapantuvarāli: C Db Eb F# G Ab B | |||
*Shadvidhamārgini: C Db Eb F# G A Bb | |||
*Suvarnāngi: C Db Eb F# G A B | |||
== Primodality == | == Primodality == | ||
=== Evolution === | === Evolution === | ||
Primodality is invented in Cualand. Like in our timeline, primodality is chord-scale theory applied to overtone scales. In Irta, chord-scale theory arises within the Irta Arab maqam tradition (which has a standardized abstract gamut) whereas the original maqam culture survives in other cultures such as Turkic and Corsican music. | Primodality is invented in Cualand. Like in our timeline, primodality is chord-scale theory applied to overtone scales. In Irta, chord-scale theory arises within the Irta Arab maqam tradition (which has a standardized abstract gamut) whereas the original maqam culture survives in other cultures such as Turkic and Corsican music. | ||