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Carpathian language: Difference between revisions
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===Pitch accent=== | ===Pitch accent=== | ||
Standard Carpathian and most of the Carpathian dialects, have mobile pitch accent. There are three types of tones: | Standard Carpathian and most of the Carpathian dialects, have mobile pitch accent. There are three types of tones: | ||
*Rising, acute or tone-1 — rising tone if followed by another syllable, or a brief rise followed by a long fall, if followed by a pause: ''dílgas'' [ˈdíl.gɑ̄s] “long (masculine)” if followed by another word, or [ˈdíl.gɑ̀s] if followed by a pause; ''rankā́'' [ˈrɑ̂ŋ. | *Rising, acute or tone-1 — rising tone if followed by another syllable, or a brief rise followed by a long fall, if followed by a pause: ''dílgas'' [ˈdíl.gɑ̄s] “long (masculine)” if followed by another word, or [ˈdíl.gɑ̀s] if followed by a pause; ''rankā́'' [ˈrɑ̂ŋ.kɑ́ː] “hand” if followed by a pause; The syllable preceding stressed syllable receives an [[w:Upstep|upstep]] , when the stressed syllable is followed by pause. | ||
*Level, circumflex or tone-2 — mid tone, steady throughout the syllable: ''tāris'' [ˈtɑ̄ː.rīs] “language” if followed by another word, or [ˈtɑ̄ː.rìs] if followed by a pause. The stressed syllable receives a [[w:Downstep|downstep]], if the preceeding word has rising pitch. | *Level, circumflex or tone-2 — mid tone, steady throughout the syllable: ''tāris'' [ˈtɑ̄ː.rīs] “language” if followed by another word, or [ˈtɑ̄ː.rìs] if followed by a pause. The stressed syllable receives a [[w:Downstep|downstep]], if the preceeding word has rising pitch. | ||
*Falling or tone-3 – short falling or low tone: ''ràgas'' [ˈrɑ̀. | *Falling or tone-3 – short falling or low tone: ''ràgas'' [ˈrɑ̀.gɑ̀s] (Western ''rògas'' [ˈrò.gɑ̀s]) “horn”. The stressed syllable receives a downstep if the preceding word has either tone-1 or tone-2. | ||
Tones 1 and 2 are only possible for long syllables – those containing either a long monophthong, a diphthong, or a short vowel followed by a sonorant in a closed syllable. Short stressed syllables receive tone-3 by default, historically the distinction in pitch neutralised in short syllables to a low tone. Unstressed syllables (both short and long) harmonise with the stressed syllable, they do not receive a distinct tone on their own, but keep the pitch height of the stressed syllable. Historically some unstressed long syllables could receive rising pitch (tone-1), which used to be independent from the stress position, while all other long syllables received tone-2. However, the pitch distinction was later lost on all unaccented syllables, turning into the intonation distinction that spreads through the whole accented word. | Tones 1 and 2 are only possible for long syllables – those containing either a long monophthong, a diphthong, or a short vowel followed by a sonorant in a closed syllable. Short stressed syllables receive tone-3 by default, historically the distinction in pitch neutralised in short syllables to a low tone. Unstressed syllables (both short and long) harmonise with the stressed syllable, they do not receive a distinct tone on their own, but keep the pitch height of the stressed syllable. Historically some unstressed long syllables could receive rising pitch (tone-1), which used to be independent from the stress position, while all other long syllables received tone-2. However, the pitch distinction was later lost on all unaccented syllables, turning into the intonation distinction that spreads through the whole accented word. | ||