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Chlouvānem/Literature: Difference between revisions
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Of the other two main genres of Skyrdegan theater, "Fishermen's theater" (''kazsalavlan pomthkarhydhgyn'', i.e. [[w:water puppetry|water puppetry]]) and puppet theater (''muvyszalok-eg pomthkarhydh''), only the latter was initially transmitted to the Chlouvānem – Chlouvānem-written water puppetry plays would not be written before the Industrial Era, and even today it remains a minor genre compared to other forms of theater as well as Skyrdegan Fishermen's theater works.<br/>Chlouvānem puppet theater (''jārdāmbræšlanah'') emphasizes music, dance, and setting more than the script; and would become more important in the development of Chlouvānem music rather than literature; many of the most notable Chlouvānem classical tunes (i.e. not improvisations) were written as the music for puppet theater. However, the same history was and still is sometimes used for both human-played theater and puppet theater, in two slightly different adaptations, often from the same playwright. | Of the other two main genres of Skyrdegan theater, "Fishermen's theater" (''kazsalavlan pomthkarhydhgyn'', i.e. [[w:water puppetry|water puppetry]]) and puppet theater (''muvyszalok-eg pomthkarhydh''), only the latter was initially transmitted to the Chlouvānem – Chlouvānem-written water puppetry plays would not be written before the Industrial Era, and even today it remains a minor genre compared to other forms of theater as well as Skyrdegan Fishermen's theater works.<br/>Chlouvānem puppet theater (''jārdāmbræšlanah'') emphasizes music, dance, and setting more than the script; and would become more important in the development of Chlouvānem music rather than literature; many of the most notable Chlouvānem classical tunes (i.e. not improvisations) were written as the music for puppet theater. However, the same history was and still is sometimes used for both human-played theater and puppet theater, in two slightly different adaptations, often from the same playwright. | ||
Theatrical works often made use of local vernaculars, which by this time had already diverged much from Classical Chlouvānem. This was especially true with the Jade Coastal koiné vernacular which started having a certain amount of literature written in it, especially based on the dialect spoken around Līlta, known therefore as ''līlti babhrāmaiva'' or ''litti babhrāmaiva''<ref>''Litti'' being the vernacular form of ''Līlti''</ref>. | |||
==The Age of Exploration== | ==The Age of Exploration== | ||