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Glommish/Musical system: Difference between revisions
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* violoncello (''þe boriefiþel''); tuned an octave below the viola | * violoncello (''þe boriefiþel''); tuned an octave below the viola | ||
* bass (''þe básfiþel''); tuned an octave below the tenor violin | * bass (''þe básfiþel''); tuned an octave below the tenor violin | ||
* contrabass (''þe jetenfiþel''); tuned an octave below the | * contrabass (''þe jetenfiþel''); tuned an octave below the cello | ||
* subcontrabass (''þe risьfiþel''); tuned two octaves below the tenor violin | * subcontrabass (''þe risьfiþel''); tuned two octaves below the tenor violin | ||
* mega-bass (''þe þurьzefiþel''); tuned two octaves below the cello | * mega-bass (''þe þurьzefiþel''); tuned two octaves below the cello | ||
==Forms== | ==Forms== | ||
* | *þe klózel = discant clausula; contrapuntal piece based on a melismatic passage in a chant | ||
*þí siúfnie = symphony | *þí siúfnie = symphony | ||
*þe lióþer = solo sonata with accompaniment; instrumental equivalent of the Lied | *þe lióþer = solo sonata with accompaniment; instrumental equivalent of the Lied | ||
| Line 35: | Line 35: | ||
fanþiend = andante (walking) | fanþiend = andante (walking) | ||
pik = allegro, vivace ( | pik = allegro, vivace (lively) | ||
úthużengfól = expressive | |||
slýþsam = adagio (slow) | slýþsam = adagio (slow) | ||
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==Lõisian composers and theorists== | ==Lõisian composers and theorists== | ||
*Ancz-Sievrien '''Béþь''', early medieval author of '' | *Ancz-Sievrien '''Béþь''', early medieval author of ''An mūsikej'' (On Music) | ||
* | *Hymarík '''Myna''', medieval tuning theorist who proposed a division of the whole tone into 5 | ||
*Þyprík ''' | *Þyprík '''[something Brusingian]''', medieval composer of isorhythmic motets | ||
* | *Andrie '''Hóchenhym''', founder of the ''Smœ̄hcroft'' movement in medieval music featuring complex rhythmic, harmonic and notational devices | ||
*Valþerь '''av þier Fugelvyþe''', Middle Thedish ''miénesimberь'' who wrote love and political songs | |||
*Fráþvin '''Lióbacz''', Thedish ''Smœ̄hcroft'' composer, famous for his [suite] featuring ''klózele'' in various equal temperaments (from 10 to 20 notes per octave) | |||
*(anonymous), author of ''Hlioþrъharpa'', an elaborate 4-part canon written in the shape of a harp | |||
*Filiep '''Glaz''' | |||
*Biarhard '''Ytfield''' | |||