User:IlL/Spare pages 1/65: Difference between revisions
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*'''''kowl'eerí'na''''' (pl. ''kowl'eerí'ni'', literally 'beautification [of a prayer]'): A [[Shalaian]] liturgical poem, often as part of a D/s kink ritual. Melodies for ''kowl'eerí'ni'' are set to either a solo voice with accompaniment or a choir; they are in some ways similar to Ashkenazi Jewish liturgical melodies but employ more exotic tunings (like JI and 31-tone equal temperament) and rhythms (such as Scotch snaps). Art music set to those liturgical poems also exists. | *'''''kowl'eerí'na''''' (pl. ''kowl'eerí'ni'', literally 'beautification [of a prayer]'): A [[Shalaian]] liturgical poem, often as part of a D/s kink ritual. Melodies for ''kowl'eerí'ni'' are set to either a solo voice with accompaniment or a choir; they are in some ways similar to Ashkenazi Jewish liturgical melodies but employ more exotic tunings (like JI and 31-tone equal temperament) and rhythms (such as Scotch snaps). Art music set to those liturgical poems also exists. | ||
Revision as of 14:15, 29 February 2020
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- cenny (from Greek κοινωνία): a Mangean place of worship.
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- kowl'eerí'na (pl. kowl'eerí'ni, literally 'beautification [of a prayer]'): A Shalaian liturgical poem, often as part of a D/s kink ritual. Melodies for kowl'eerí'ni are set to either a solo voice with accompaniment or a choir; they are in some ways similar to Ashkenazi Jewish liturgical melodies but employ more exotic tunings (like JI and 31-tone equal temperament) and rhythms (such as Scotch snaps). Art music set to those liturgical poems also exists.