Verse:Hmøøh/Rewhd Sgutsis: Difference between revisions

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:''This page uses music theory work mainly by Praimhín. See also: [[Verse:Tricin/Talma/Music]].''
:''This page uses music theory work mainly by Praimhín. See also: [[Verse:Tricin/Talma/Music]].''
[[File:Rewhd_Sgutsis.png|thumbnail|250px|Rewhd Sgutsis]]


'''Rewhd Avnin Sgutsis''' (fT 1136 – fT 1200 (aged 64)) was a [[Verse:Tricin/Skella|Skellan]] composer and music theorist<!-- and essayist--> of the late Classical and early Romantic period.
'''Rewhd Avnin Sgutsis''' (fT 1136 – fT 1200 (aged 64)) was a [[Verse:Tricin/Skella|Skellan]] composer and music theorist<!-- and essayist--> of the late Classical and early Romantic period.
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==Traits==
==Traits==
*Witty and incisive; generous towards her confidants
*Witty and incisive; generous towards her confidants
*Instruments: ''ðavr'', guitar
*Instruments: ''ðavr'', ''ñamsom'', guitar
*Languages:
*Languages:
** [[Skellan]] (native), accent: weak Iasa + Swuntsim
** [[Skellan]] (native), accent: weak Iasa + Swuntsim
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Sgutsis was born in the city of Hirvahnal, [[Verse:Tricin/Skella|Skella]] in the Iasa region to a family of Swuntsim descent as the second of three children. Her father was the physicist and composer Avnin Axew, who was professor of physics in the University of Hirvahnal. Her mother, Hvava Sgutsis (adapted from Talman Swuntsim ''Scütsis''), was a ''ðavr'' player and music teacher (she was also a composer). Her mother's brother, Mugiv Chətσüde, was a ''jogóm'' player.
Sgutsis was born in the city of Hirvahnal, [[Verse:Tricin/Skella|Skella]] in the Iasa region to a family of Swuntsim descent as the second of three children. Her father was the physicist and composer Avnin Axew, who was professor of physics in the University of Hirvahnal. Her mother, Hvava Sgutsis (adapted from Talman Swuntsim ''Scütsis''), was a ''ðavr'' player and music teacher (she was also a composer). Her mother's brother, Mugiv Chətσüde, was a ''jogóm'' player.


A child prodigy, Sgutsis was taught the ''ðavr'' and math from a young age. She once rediscovered just intonation cross-sets from looking at a multiplication table. She was allowed to skip boarding school and to enroll in the University of Hiravnol in math at age 10 by taking an entrance exam. She was an exceptionally gifted student and graduated in mathematics and music with honors at age 16 (fT 2052).  
As a child, she invented just intonation cross-sets, inspired by at a multiplication table. She was allowed to skip boarding school and to enroll in the University of Hiravnol in math at age 10 by taking an entrance exam. She was an exceptionally gifted student and graduated in mathematics and music with honors at age 16 (fT 2052).  


After graduating, Sgutsis studied composition and instrumentation with [Anbirese composer]. At this time she began corresponding with a number of Anbirese and Rhythoed composers, musicians and theorists to exchange ideas about music. Much of her theoretical work took place within these letters.<!--
After graduating, Sgutsis studied composition and instrumentation with [Anbirese composer]. At this time she began corresponding with a number of Anbirese and Rhythoed composers, musicians and theorists to exchange ideas about music. Much of her theoretical work took place within these letters.
 
In fT 1156 Sgutsis returned as a doctoral student in mathematics to University of Fljeon, where she specialized in combinatorics and number theory. Under the supervision of Esngoa rith Mnang, Sgutsis was awarded a doctorate for her dissertation in fT 1161.-->


==Later life==
==Later life==
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*''Bwrjadreeg Cantatas''
*''Bwrjadreeg Cantatas''
*Many pieces of chamber music, including 17 string quartets
*Many pieces of chamber music, including 17 string quartets and solo ''ðavr'' and ''ñamsom'' pieces
*''Idosian Dances''
*''Naquian Dances'', a Naquian music-inspired suite written in subsets of 41edo.
*Choral pieces
*Choral pieces
*Art songs
*Art songs
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==Contributions to music theory==
==Contributions to music theory==
Despite her pioneering work on EDOs, Sgutsis did not consider herself an EDO advocate -- she viewed her work on EDOs as mathematical curiosity. She found EDOs too restrictive (if the division was not fine enough as to effectively be just intonation).
Sgutsis's work on tuning theory includes:
 
*Cross-sets
*Many JI constant structure scales including scales with 16, 18, 23, and other numbers of notes
*Properties of particular equal temperaments: 17edo, 19edo, 22edo, 27edo, 31edo, 34edo, 41edo, 46edo
**Constant structures generated by step sizes
**41, 46 and 58 smallest edos that represent 13-limit JI
*Noted properties of particular equal temperaments, such as 19edo, 22edo, 31edo, and 41edo
*Horograms and MOS scales
*EDOs that generate certain MOS scales
*Noted that 12edo, 19edo, 22edo, 31edo, 41edo and 46edo were accurate because of the Riemann zeta function
*The Riemann zeta function and accurate EDOs
*Proposed 41edo as a system approximating [[Naquian]] scales that divide the perfect fifth into 4 or 8 equal parts, in particular building on Jopah's work.


These ideas in particular influenced
These ideas in particular influenced
*Garinsher Bloisin: Anbirese music theorist who developed regular temperament theory
*Garinsher Bloisin: Anbirese music theorist who fully developed regular temperament theory
*Honan Đawhindøø: Fyxoomian classical composer
*Honan Đawhindøø: Fyxoomian classical composer


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