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:''This page uses music theory work mainly by Praimhín. See also: [[Verse:Tricin/Talma/Music]].'' | :''This page uses music theory work mainly by Praimhín. See also: [[Verse:Tricin/Talma/Music]].'' | ||
[[File:Rewhd_Sgutsis.png|thumbnail|250px|Rewhd Sgutsis]] | |||
'''Rewhd Avnin Sgutsis''' (fT 1136 – fT 1200 (aged 64)) was a [[Verse:Tricin/Skella|Skellan]] composer and music theorist<!-- and essayist--> of the late Classical and early Romantic period. | '''Rewhd Avnin Sgutsis''' (fT 1136 – fT 1200 (aged 64)) was a [[Verse:Tricin/Skella|Skellan]] composer and music theorist<!-- and essayist--> of the late Classical and early Romantic period. | ||
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==Traits== | ==Traits== | ||
*Witty and incisive; generous towards her confidants | *Witty and incisive; generous towards her confidants | ||
*Instruments: ''ðavr'', guitar | *Instruments: ''ðavr'', ''ñamsom'', guitar | ||
*Languages: | *Languages: | ||
** [[Skellan]] (native), accent: weak Iasa + Swuntsim | ** [[Skellan]] (native), accent: weak Iasa + Swuntsim | ||
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Sgutsis was born in the city of Hirvahnal, [[Verse:Tricin/Skella|Skella]] in the Iasa region to a family of Swuntsim descent as the second of three children. Her father was the physicist and composer Avnin Axew, who was professor of physics in the University of Hirvahnal. Her mother, Hvava Sgutsis (adapted from Talman Swuntsim ''Scütsis''), was a ''ðavr'' player and music teacher (she was also a composer). Her mother's brother, Mugiv Chətσüde, was a ''jogóm'' player. | Sgutsis was born in the city of Hirvahnal, [[Verse:Tricin/Skella|Skella]] in the Iasa region to a family of Swuntsim descent as the second of three children. Her father was the physicist and composer Avnin Axew, who was professor of physics in the University of Hirvahnal. Her mother, Hvava Sgutsis (adapted from Talman Swuntsim ''Scütsis''), was a ''ðavr'' player and music teacher (she was also a composer). Her mother's brother, Mugiv Chətσüde, was a ''jogóm'' player. | ||
As a child, she invented just intonation cross-sets, inspired by at a multiplication table. She was allowed to skip boarding school and to enroll in the University of Hiravnol in math at age 10 by taking an entrance exam. She was an exceptionally gifted student and graduated in mathematics and music with honors at age 16 (fT 2052). | |||
After graduating, Sgutsis studied composition and instrumentation with [Anbirese composer]. At this time she began corresponding with a number of Anbirese and Rhythoed composers, musicians and theorists to exchange ideas about music. Much of her theoretical work took place within these letters. | After graduating, Sgutsis studied composition and instrumentation with [Anbirese composer]. At this time she began corresponding with a number of Anbirese and Rhythoed composers, musicians and theorists to exchange ideas about music. Much of her theoretical work took place within these letters. | ||
==Later life== | ==Later life== | ||
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*''Bwrjadreeg Cantatas'' | *''Bwrjadreeg Cantatas'' | ||
*Many pieces of chamber music, including 17 string quartets | *Many pieces of chamber music, including 17 string quartets and solo ''ðavr'' and ''ñamsom'' pieces | ||
*'' | *''Naquian Dances'', a Naquian music-inspired suite written in subsets of 41edo. | ||
*Choral pieces | *Choral pieces | ||
*Art songs | *Art songs | ||
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==Contributions to music theory== | ==Contributions to music theory== | ||
Sgutsis's work on tuning theory includes: | |||
*Cross-sets | |||
* | *Properties of particular equal temperaments: 17edo, 19edo, 22edo, 27edo, 31edo, 34edo, 41edo, 46edo | ||
**41, 46 and 58 smallest edos that represent 13-limit JI | |||
* | *Horograms and MOS scales | ||
* | *Noted that 12edo, 19edo, 22edo, 31edo, 41edo and 46edo were accurate because of the Riemann zeta function | ||
* | *Proposed 41edo as a system approximating [[Naquian]] scales that divide the perfect fifth into 4 or 8 equal parts, in particular building on Jopah's work. | ||
These ideas in particular influenced | These ideas in particular influenced | ||
*Garinsher Bloisin: Anbirese music theorist who developed regular temperament theory | *Garinsher Bloisin: Anbirese music theorist who fully developed regular temperament theory | ||
*Honan Đawhindøø: Fyxoomian classical composer | *Honan Đawhindøø: Fyxoomian classical composer | ||
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