Verse:Hmøøh/Talma/Music

Base on oneiro (5L 3s) at first, then 26edo?

h/t tprice and Jaimbee, without whose work on pseudo-JI chords and oneiro functional harmony this would not have been possible.

Todo

peileóg also sounds Irish lol

Instruments

Generally prefers inharmonic or mellow (like flutes, viols and silk/nylon/gut string guitars; a bowed string instrument constructed to absorb higher frequencies) timbres rather than bright ones (like violin family and trumpets) for harmonic music. Playing techniques are used for bowed string instruments to suppress higher harmonics. Singing is usually homophonic.

Imperial Windermere music

"What if gamelan had very sharp fifths instead of very flat ones like pelog"

Based on 3L 2s scales called sliþol in Eevo and slithol in Naeng (from Talmic soliþ-); it was monophonic and played on inharmonic instruments.

In Crackfic Tricin, this approximate 3L 2s scale is called pegol in Eevo, pigol in Naeng, and pajgall in Talman Irish, coming from **penkw-ālos, from an IE substrate language.

Post-Revolt music

All the JI and RTT people, Tsăhongtamdi, Etsoj Jopah, Rewhd Sgutsis etc. can be Raiđluavian

Classical

Development of a functional harmony theory based on 0-(185)-369-646 and 0-277-738-(923) for the 4 brightest oneiro modes

Romantic

Based on idea that different oneiro modes have different moods; composers develop a general modal theory for all 8 modes and the LSLLLSLS altered oneiro scale

When bright instruments such as violins are introduced, Talmans invent 13nejis and other oneiro nejifications as well as approximate 13edo (tuned with 7/4's)

Contemporary music

Schngellstein writes counterpoint for oneiro and develops a functional harmony theory for other mosses such as 4L 3s, 5L 4s, and 8L 2s.

• Suite on the Medieval Talman Slithol