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| Base on oneiro (5L 3s) at first, then 26edo?
| | diatonic[12] but: |
| | | * less modulation than in Euro music |
| h/t tprice and Jaimbee, without whose work on isodifferential chords and oneiro functional harmony this would not have been possible.
| | * modes of harmonic and melodic minor |
| == Instruments==
| | * augmented[6] and augmented[9] more common |
| Generally prefers inharmonic or mellow (like flutes, viols and silk/nylon string guitars; a bowed string instrument constructed to absorb higher frequencies) timbres rather than bright ones (like violin family and trumpets) for harmonic music. Also playing techniques for bowed string instruments. Singing is usually homophonic.
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| == Todo ==
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| Should "pegol" be the Eevo name for the approximate 3L 2s in Crackfic Tricin, coming from **penkw-ālos from an IE substrate
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| == Imperial Windermere music ==
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| Based on 3L 2s scales, then 5L 3s scales; was monophonic and played on inharmonic instruments. (I think an oneirotonic-based culture is as plausible as pelog)
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| == Post-Revolt music ==
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| All the JI and RTT people, Etsoj Jopah, Rewhd Sgutsis etc. can be Cualuavian
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| Development of a functional harmony theory based on 0-(185)-369-646 and 0-277-738-(923) for the 4 brightest oneiro modes and a general modal theory for all 8 modes and the LSLLLSLS altered oneiro scale
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| == Modern music ==
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| == Contemporary music==
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| Schngaoife writes counterpoint for oneiro and develops a functional harmony theory for other mosses such as 4L 3s, 5L 4s, and 8L 2s.
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| * Suite on the Medieval Talman Pegol
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