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Verse:Irta/Music: Difference between revisions
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Folk traditions of Riphea are revived as a part of the Nōje Niđjaste movement and a distinctive Riphean style of classical music develops from this. The "Riphean style" was subsequently incorporated into concert music by late 19th century Irtan composers. | Folk traditions of Riphea are revived as a part of the Nōje Niđjaste movement and a distinctive Riphean style of classical music develops from this. The "Riphean style" was subsequently incorporated into concert music by late 19th century Irtan composers. | ||
==Arabo-Japanese== | |||
Arabo-Japanese music consists of various modes and melodic tropes called ''makān'' and ''āwāji''. Arabo-Japanese ''makān''s are mostly pentatonic where certain notes are played with vibrato by default. For instance ''makān-e-Hirajōshi'' consists of the scale C D Eb G Ab with vibratos on the notes Eb and Ab. In addition there are non-octave ''makān''s like the "pentatonic" scale C D Eb G Ab Bb with vibratos on Eb and Bb. | |||
== Arabic == | == Arabic == | ||