7,731
edits
Verse:Irta/Music: Difference between revisions
Jump to navigation
Jump to search
no edit summary
No edit summary Tags: Mobile edit Mobile web edit |
|||
| Line 95: | Line 95: | ||
==Arabo-Japanese== | ==Arabo-Japanese== | ||
idea: "what if maqams were pentatonic" | |||
Arabo-Japanese music consists of various modes and melodic tropes called ''makān'' and ''āwāji''. Arabo-Japanese ''makān''s are mostly pentatonic where certain notes are played with vibrato by default. For instance ''makān-e-Hirajōshi'' consists of the scale C D Eb G Ab with vibratos on the notes Eb and Ab. In addition there are non-octave ''makān''s like the "pentatonic" scale C D Eb G Ab Bb with vibratos on Eb and Bb. | Arabo-Japanese music consists of various modes and melodic tropes called ''makān'' and ''āwāji''. Arabo-Japanese ''makān''s are mostly pentatonic where certain notes are played with vibrato by default. For instance ''makān-e-Hirajōshi'' consists of the scale C D Eb G Ab with vibratos on the notes Eb and Ab. In addition there are non-octave ''makān''s like the "pentatonic" scale C D Eb G Ab Bb with vibratos on Eb and Bb. | ||
Arabo-Japanese "ajnas" are either trichords spanning a perfect fourth or tetrachords spanning a perfect fifth. An exception is ??? which spans a diminished fifth: C E F Gb. | |||
== Arabic == | == Arabic == | ||