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Physicist Bów'ti Ma'kbów'tfais tried to extend the 22-note system to make it more compatible with playing various tetrachords found in Hetomic music theory. The result was a scale of 34 notes per octave. | Physicist Bów'ti Ma'kbów'tfais tried to extend the 22-note system to make it more compatible with playing various tetrachords found in Hetomic music theory. The result was a scale of 34 notes per octave. | ||
As later Shalian music saw a move away from tetrachords and towards more harmonic chords, emphasizing 7-limit intervals became desirable, thus also using a 22-note well-tempered scale. | As later Shalian music saw a move away from tetrachords and towards more harmonic chords, emphasizing 7-limit intervals became desirable, thus also using a 22-note well-tempered scale with good harmonic sevenths. |
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