Verse:Hmøøh/Pategia: Difference between revisions
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'''Trăngsi | '''Trăngsi''' ([[Windermere]]: ''Trăngsi'' , [[Trăngsi'uł]]: ''Tr'ẃẃsi' '', [[Roshterian]]: ''Qaanuuṯu'') is a predominantly Windermere-speaking [[Bjeheond]]ian country. It is located near [[Verse:Tricin/Qaaroshter]]. | ||
==Geography== | ==Geography== | ||
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Its capital is Răthamrona (Ḷdamrōṇa in the native Paḷkhan language). | Its capital is Răthamrona (Ḷdamrōṇa in the native Paḷkhan language). | ||
==Wildlife== | ==Wildlife== | ||
Trăngsi has distinct wildlife though not as distinct as Cualuav. | |||
==Music== | ==Music== | ||
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The quintessential Trăngsi'uł musical instruments are (some kind of lyre or fiddle?), and the Trăngsi'uł drum (''feam Trăngsi'uł'' in Windermere; ??? in Trăngsi'uł). | The quintessential Trăngsi'uł musical instruments are (some kind of lyre or fiddle?), and the Trăngsi'uł drum (''feam Trăngsi'uł'' in Windermere; ??? in Trăngsi'uł). | ||
Trăngsi'uł music is highly multi-ethnic and uses elements from both native styles and Talman ones. Native | Trăngsi'uł music is highly multi-ethnic and uses elements from both native styles and Talman ones. Native Trăngsi'uł music tends to be richly ornamented, and is based on a heptatonic scale. | ||
Some ornaments include: | Some ornaments include: | ||
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*slides | *slides | ||
Trăngsi | Trăngsi has its own offshoot of Windermere music as well. Some styles that fell out of use in Talma are still commonly performed in Trăngsi, such as the song with intoning voice (''wălam yăthmear''). Trăngsi is in fact home to the composer Dăraf Ko, a leading composer of ''yăthmear'' songs today, some of which incorporate native Trăngsi'uł classical styles in addition to Windermere ones. | ||
===Răthamrona school=== | ===Răthamrona school=== | ||
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Rough timeline: | Rough timeline: | ||
50 years before present: Styles very similar to minimalism and ambient music emerge in | 50 years before present: Styles very similar to minimalism and ambient music emerge in Trăngsi'uł. Pieces composed by the Răthamrona school around that time can stretch for over 5 hours. | ||
30 years BP: People have enough of that style and rebel, creating some of the most wildly dissonant music in Tricin (sometimes using crazy equal temperaments). | 30 years BP: People have enough of that style and rebel, creating some of the most wildly dissonant music in Tricin (sometimes using crazy equal temperaments). | ||
25 years BP: Minimalism makes a comeback in a slightly more "folksy" form (pieces are shorter etc.) The PSyT (''Prăctheng Sngoal Yătălisrił'' "Experimental Music Society") forms a branch in | 25 years BP: Minimalism makes a comeback in a slightly more "folksy" form (pieces are shorter etc.) The PSyT (''Prăctheng Sngoal Yătălisrił'' "Experimental Music Society") forms a branch in Trăngsi'uł, led by Schaus-Schaus Flein. More fully acoustic pieces are written in the last 25 years. | ||
===Trăngsi'uł minimalism=== | ===Trăngsi'uł minimalism=== | ||
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Trăngsi'uł musical compositions from the last three decades often revolve around polyrhythms. | Trăngsi'uł musical compositions from the last three decades often revolve around polyrhythms. | ||
==Famous | ==Famous Trăngsi'uł== | ||
Dăraf '''Ko''' - neoclassical composer of (Bjeheondian) Windermere descent | Dăraf '''Ko''' - neoclassical composer of (Bjeheondian) Windermere descent | ||
Revision as of 21:46, 16 July 2018
Trăngsi (Windermere: Trăngsi , Trăngsi'uł: Tr'ẃẃsi' , Roshterian: Qaanuuṯu) is a predominantly Windermere-speaking Bjeheondian country. It is located near Verse:Tricin/Qaaroshter.
Geography
Its capital is Răthamrona (Ḷdamrōṇa in the native Paḷkhan language).
Wildlife
Trăngsi has distinct wildlife though not as distinct as Cualuav.
Music
Inspiration: gayageum sanjo, Ancient Greek music?
The quintessential Trăngsi'uł musical instruments are (some kind of lyre or fiddle?), and the Trăngsi'uł drum (feam Trăngsi'uł in Windermere; ??? in Trăngsi'uł).
Trăngsi'uł music is highly multi-ethnic and uses elements from both native styles and Talman ones. Native Trăngsi'uł music tends to be richly ornamented, and is based on a heptatonic scale.
Some ornaments include:
- grace notes
- rapid trills and turns
- slides
Trăngsi has its own offshoot of Windermere music as well. Some styles that fell out of use in Talma are still commonly performed in Trăngsi, such as the song with intoning voice (wălam yăthmear). Trăngsi is in fact home to the composer Dăraf Ko, a leading composer of yăthmear songs today, some of which incorporate native Trăngsi'uł classical styles in addition to Windermere ones.
Răthamrona school
Rough timeline:
50 years before present: Styles very similar to minimalism and ambient music emerge in Trăngsi'uł. Pieces composed by the Răthamrona school around that time can stretch for over 5 hours.
30 years BP: People have enough of that style and rebel, creating some of the most wildly dissonant music in Tricin (sometimes using crazy equal temperaments).
25 years BP: Minimalism makes a comeback in a slightly more "folksy" form (pieces are shorter etc.) The PSyT (Prăctheng Sngoal Yătălisrił "Experimental Music Society") forms a branch in Trăngsi'uł, led by Schaus-Schaus Flein. More fully acoustic pieces are written in the last 25 years.
Trăngsi'uł minimalism
Minimalist pieces from the Răthamrona school, ironically, have some of the most complex harmonic progressions in Trician music. One famous piece, ???, has over a hundred chord progressions, each modulating up by a microcomma.
Trăngsi'uł postminimalism
Trăngsi'uł musical compositions from the last three decades often revolve around polyrhythms.
Famous Trăngsi'uł
Dăraf Ko - neoclassical composer of (Bjeheondian) Windermere descent
Minimalist composers?
A Brian Eno-like figure?
Schaus-Schaus Flein - postminimalist composer