Verse:Hmøøh/māNāqui: Difference between revisions
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Native sources describe a system of naming intervals in this scale. | Native sources describe a system of naming intervals in this scale. | ||
*"Unison" | *"Unison" | ||
*Minor | *Minor second | ||
*Minor | *Neutral second | ||
*Minor | *Major second = Minor third | ||
*Neutral third | |||
*Major third = Minor fourth | |||
*Neutral fourth | |||
*Major fourth | |||
*Perfect fifth | *Perfect fifth | ||
*Minor | *Minor sixth | ||
*Minor | *Neutral sixth | ||
*Major sixth = Minor seventh | |||
*Neutral seventh | |||
*Major seventh | |||
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Revision as of 08:13, 20 July 2019
The Naquian Empire (Naquian: Nāquiz from PQ snākʷs 'homeland') was the major civilization in ancient Txapoalli.
Place/person names
- Quintlopetl Ztelmīz or just Quintlopetl
- Cuancalli
- Quēhtłoyoz: Naquian grammarian
- Huichaltzah: Naquian explorer, conlanger and playwright
- Ztlathuiyaz: a theater
- Erencāhto: the Rencad, later became capital of Xaetjeonlowv
History
The rise of the "Theaterists"
Music
Instruments
Tuning
Ancient Naquian music uses a division of the perfect fifth into 4 or 8 equal parts. (The 8 equal parts tuning is very close to the 88 cents equal tuning.) Skellan composer Rewhd Sgutsis noted that these scales fit nicely into a framework of 41 equal parts to the octave.
Scales in steps of the 8 equal division of the fifth scale:
- 2 2 2 2 - 4edf
- 2 2 3 1
- 3 1 3 1
Native sources describe a system of naming intervals in this scale.
- "Unison"
- Minor second
- Neutral second
- Major second = Minor third
- Neutral third
- Major third = Minor fourth
- Neutral fourth
- Major fourth
- Perfect fifth
- Minor sixth
- Neutral sixth
- Major sixth = Minor seventh
- Neutral seventh
- Major seventh