6,788
edits
Literature:Themsaran/Music theory: Difference between revisions
Literature:Themsaran/Music theory (view source)
Revision as of 14:43, 21 January 2014
, 21 January 2014no edit summary
No edit summary |
mNo edit summary |
||
| (11 intermediate revisions by the same user not shown) | |||
| Line 1: | Line 1: | ||
<!--Mách, kvýldiŋgávini íe spásŧramávini gošminût, míchiréibruaštnût at mikirlēstnevût glé títhâr hádísir, tŋí máugamavaħá ħléšîl d'ylthanâ a̋thmâ bórŧȉl mylmūché, ie faŧienígā ħléšâ chýļím ke̋miekêm íeláš rušŋodimêich snamígašŧ ánèl. | |||
Enumerated and expounded herein are the intervals, formed by juxtaposing or combining two notes, as used appropriately in holy music for service to our gods, and the proper method of tuning each of them and also of adjusting them for taste. | -->''Enumerated and expounded herein are the intervals, formed by juxtaposing or combining two notes, as used appropriately in holy music for service to our gods, and the proper method of tuning each of them and also of adjusting them for taste.'' | ||
==Concerning the intervals== | ==Concerning the intervals== | ||
==Concerning temperament== | ==Concerning temperament== | ||
[[Category:Themsaran literature]] | [[Category:Themsaran literature]] | ||