User:IlL/Spare pages 1/65: Difference between revisions

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*'''''tanóo'tłamid''''' ([[Shalaian]] for 'immersion' or 'submersion'): attachment or passion that one experiences for one's personal deity, often with the implication of a feeling of fusing into one with the god. Similar to the Kabbalistic concept of ''devekut''.
*'''''tanóo'tłamid''''' ([[Shalaian]] for 'immersion' or 'submersion'): attachment or passion that one experiences for one's personal deity, often with the implication of a feeling of fusing into one with the god. Similar to the Kabbalistic concept of ''devekut''.
==U==
==U==
*'''''useerí'na''''' (pl. ''useerí'ni'', literally 'beautification [of a prayer]'): A [[Shalaian]] liturgical poem Melodies for ''useerí'ni'' are set to either a solo voice with accompaniment or a choir/a cappella; they are in some ways similar to Ashkenazi Jewish liturgical melodies but employ more exotic tunings (like JI and 31-tone equal temperament) and rhythms (such as Scotch snaps). Art music set to those liturgical poems also exists.
*'''''useerí'na''''' (pl. ''useerí'ni'', literally 'beautification [of a prayer]'): A [[Shalaian]] liturgical poem. Melodies for ''useerí'ni'' are set to either a solo voice with accompaniment or a choir/a cappella; they are in some ways similar to Ashkenazi Jewish liturgical melodies but employ more exotic tunings (like JI and 31-tone equal temperament) and rhythms (such as Scotch snaps). ''Kaléera'', or art songs, set to those liturgical poems also exist.


==Y==
==Y==
*'''Yiddish''': [[Judeo-Gaelic]].
*'''Yiddish''': [[Judeo-Gaelic]].

Revision as of 08:00, 4 June 2020

C

D

  • dight: A Romantic-period English-language art song (with piano or chamber accompaniment)

K

  • kaléer (pl. kaléera): a Shalaian-language art song

S

  • shrine: an AETHER locale created to worship a specific person in kink contexts. A shrine can look like anything; it may be a church-like building.

T

  • tanóo'tłamid (Shalaian for 'immersion' or 'submersion'): attachment or passion that one experiences for one's personal deity, often with the implication of a feeling of fusing into one with the god. Similar to the Kabbalistic concept of devekut.

U

  • useerí'na (pl. useerí'ni, literally 'beautification [of a prayer]'): A Shalaian liturgical poem. Melodies for useerí'ni are set to either a solo voice with accompaniment or a choir/a cappella; they are in some ways similar to Ashkenazi Jewish liturgical melodies but employ more exotic tunings (like JI and 31-tone equal temperament) and rhythms (such as Scotch snaps). Kaléera, or art songs, set to those liturgical poems also exist.

Y