User:IlL/Spare pages 1: Difference between revisions

From Linguifex
Jump to navigation Jump to search
mNo edit summary
Line 1: Line 1:
{{list subpages}}
{{list subpages}}
'''Schngaoife''' is a shorthand for "created by Schlomo Schngellstein in Canon [[Verse:Tricin|Tricin]], Aoife Ní Fhlaithbheartaigh in [[Verse:CF Tricin|Crackfic Tricin]]". These respective people are best known for their ___ game and its associated conlang, [[An Bhlaoighne]].
 
'''Aoife O'Flaherty''' ([[An Bhlaoighne]] and Irish: ''Aoife Ní Fhlaithbheartaigh'' <small>An Bhl. /ˈao&#798;jfe&#798; niː ˈfʰlajt&#810;ʰbʱe&#798;art&#810;ajgʱ/, [[Verse:CF Tricin/Cualand#Cualand Irish|Cualand Irish]]: /'iːfʲə nʲiː ˈl̪ˠahəɾˠt̪ˠɪɟ/</small> [[Ăn Yidiș]] and Hebrew: חמדה ני פ&#1471;ל&#1523;אַהארתּיה&#1468; <small>[[Verse:CF Tricin/Cualand#Cualand Ăn Yidiș|Cualand Ăn Yidiș]] /ˈχɛmt&#810;⁼ə nɪ ˈwahəʂʈ⁼ɪh/, Hebrew /ˈχemda ni ˈlaherti/</small>) is a Fishomian conlanger, video game composer and video game developer of Irish-Jewish descent. She is a native speaker of Cualand Ăn Yidiș, Irish, and English, is fluent in Șinach Netagin and Hebrew, and can read Mandarin, Classical Netagin, and Old Chinese. She is a trans woman and a Reconstructionist Jew (not believing but moderately observant). She is best known for her game Méich Bhaonnáiqh (placeholdr name) and its associated conlang, [[An Bhlaoighne]].


This "setting" is our (Inthar and Praimhín's) placeholder for conlangs that are too memey or unnaturalistic for any of our conworlds.
This "setting" is our (Inthar and Praimhín's) placeholder for conlangs that are too memey or unnaturalistic for any of our conworlds.
== In Crackfic Tricin==
'''Aoife O'Flaherty''' ([[An Bhlaoighne]] and Irish: ''Aoife Ní Fhlaithbheartaigh'' <small>An Bhl. /ˈao&#798;jfe&#798; niː ˈfʰlajt&#810;ʰbʱe&#798;art&#810;ajgʱ/, [[Verse:CF Tricin/Cualand#Cualand Irish|Cualand Irish]]: /'iːfʲə nʲiː ˈl̪ˠahəɾˠt̪ˠɪɟ/</small> [[Ăn Yidiș]] and Hebrew: חמדה ני פ&#1471;ל&#1523;אַהארתּיה&#1468; <small>[[Verse:CF Tricin/Cualand#Cualand Ăn Yidiș|Cualand Ăn Yidiș]] /ˈχɛmt&#810;⁼ə nɪ ˈwahəʂʈ⁼ɪh/, Hebrew /ˈχemda ni ˈlaherti/</small>) is a Fishomian conlanger, video game composer and video game developer of Irish-Jewish descent. She is a native speaker of Cualand Ăn Yidiș, Irish, and English, is fluent in Șinach Netagin and Hebrew, and can read Mandarin, Classical Netagin, and Old Chinese. She is a trans woman and a Reconstructionist Jew (not believing but moderately observant).


==Conlangs==
==Conlangs==

Revision as of 22:13, 28 January 2022

In this userspace:

User:
IlL/Spare pages 1
User talk:

Aoife O'Flaherty (An Bhlaoighne and Irish: Aoife Ní Fhlaithbheartaigh An Bhl. /ˈao̞jfe̞ niː ˈfʰlajt̪ʰbʱe̞art̪ajgʱ/, Cualand Irish: /'iːfʲə nʲiː ˈl̪ˠahəɾˠt̪ˠɪɟ/ Ăn Yidiș and Hebrew: חמדה ני פֿל׳אַהארתּיהּ Cualand Ăn Yidiș /ˈχɛmt̪⁼ə nɪ ˈwahəʂʈ⁼ɪh/, Hebrew /ˈχemda ni ˈlaherti/) is a Fishomian conlanger, video game composer and video game developer of Irish-Jewish descent. She is a native speaker of Cualand Ăn Yidiș, Irish, and English, is fluent in Șinach Netagin and Hebrew, and can read Mandarin, Classical Netagin, and Old Chinese. She is a trans woman and a Reconstructionist Jew (not believing but moderately observant). She is best known for her game Méich Bhaonnáiqh (placeholdr name) and its associated conlang, An Bhlaoighne.

This "setting" is our (Inthar and Praimhín's) placeholder for conlangs that are too memey or unnaturalistic for any of our conworlds.

Conlangs

Aoife generally avoids Old Irish or Tigol aesthetics for fantasy languages because that's the default fantasy aesthetic in Tricin/CF Tricin; many of Aoife's languages are inspired by Hebrew, particularly in Méich Bhaonnáiqh

Fictional conworlds

Others

  • Camalic --- A language family inspired by Literal Irish, Semitic/Idavic and Nurian, an early sketch of Aoife
  • Justin Wieber
  • a language family inspired by Tsimulh

Video games

  • (something with Méich Bhaonnáiqh in it), a science fantasy RPG

Music

  • Wrote the soundtrack for Méich Bhaonnáiqh
  • works in many different tunings but mainly small edos and mosses and functional harmony using iso-differential chords as consonances
  • Suite on the Medieval Talman Pegol
  • A 3-part fugue in 8ed(3/2)
  • lots of 11edo, 13edo, 18edo, 26edo and 12ed3/2 pieces
    • Well-Tempered 13edo Clavier: 26 Preludes (some of them fugues or prelude+fugue) in 13edo
  • fav mos is 11edo's 4L 3s (fav mkdes 6|0, 5|1, 0|6), sometimes other mosses like antidiatonic, 5L 3s (the 7|0, 6|1, 5|2, 4|3 modes and some altered modes).
  • often multiple tunings in one song
  • melodic, not too dark, but not above bittersweetness
  • likes counterpoint (isn't really a thing for Talmans or Tsarfati Jews)