Literature:Themsaran/Music theory: Difference between revisions
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Mách, kvýldiŋgávini íe spásŧramávini gošminût, míchiréibruaštnût at mikirlēstnevût glé títhâr hádísir, tŋí máugamavaħá ħléšîl d'ylthanâ a̋thmâ bórŧȉl mylmūché, ie faŧienígā ħléšâ chýļím ke̋miekêm íeláš rušŋodimêich snamígašŧ ánèl. | <!--Mách, kvýldiŋgávini íe spásŧramávini gošminût, míchiréibruaštnût at mikirlēstnevût glé títhâr hádísir, tŋí máugamavaħá ħléšîl d'ylthanâ a̋thmâ bórŧȉl mylmūché, ie faŧienígā ħléšâ chýļím ke̋miekêm íeláš rušŋodimêich snamígašŧ ánèl. | ||
''Enumerated and expounded herein are the intervals, formed by juxtaposing or combining two notes, as used appropriately in holy music for service to our gods, and the proper method of tuning each of them and also of adjusting them for taste.'' | -->''Enumerated and expounded herein are the intervals, formed by juxtaposing or combining two notes, as used appropriately in holy music for service to our gods, and the proper method of tuning each of them and also of adjusting them for taste.'' | ||
==Concerning the intervals== | ==Concerning the intervals== | ||
Latest revision as of 14:43, 21 January 2014
Enumerated and expounded herein are the intervals, formed by juxtaposing or combining two notes, as used appropriately in holy music for service to our gods, and the proper method of tuning each of them and also of adjusting them for taste.