Maghrebi Azalic: Difference between revisions

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'''{{PAGENAME}}''' (lit. [the language] of those who say ''đâu'' [for '2']) is an [[Azalic]] language. Like [[Verse:Lõis/English|English]], it descends from L-Old English. It is inspired by Vietnamese.
{{construction}}


It is in the [[Ăn Yidiș]]-[[Cubrite]] sprachbund and its main loan sources are Greek and Hebrew.
In Irta, '''{{PAGENAME}}''' is a North African [[Azalic]] language. It is inspired by Vietnamese, Maghrebi Arabic, and Yiddish. (should rename)
 
Its main post-proto-Azalic loan sources are Greek, Knench, English and Arabic.
 
== Todo ==
* eh2, eh3 -> əu(creaky)
** ''Nguyễn'' /ŋwḭə̯n/: a unisex given name, result of syncope from PAzal *ŋəw̃iən 'renowned, honored' < PIE *ǵnoh₃-ey-mnos 'made known'


Add some Yiddish touch with syllabic resonants? ''buxtn'' 'garden'
==Phonology==
==Phonology==
as in Vietnamese; note: '''r''' /ɹ/, '''d''' /z/, '''j''' /ʒ/, '''g''' is always /ɣ/, '''x''' /s/, '''s''' /ʃ/, '''đr''' = /ɖ~ɭ/
m n l can be syllabic
Maghrebi Azalic is tonal. A stressed syllable may have either modal or creaky tone.
==Orthography==
==Orthography==
{{PAGENAME}} is natively written in either the Hebrew alphabet or a Latin orthography based on the Lõisian Old English orthography.
{{PAGENAME}} is natively written in either the Knench alphabet or Latin orthography based on the in-universe Old English orthography.


==Morphology==
==Morphology==
Spoken Riphean is analytic, like Colloquial Welsh. Literary Riphean is practically a Literary Knench or Biblical Hebrew relex (as close as you can get from Proto-Azalic).
===Pronouns===
===Pronouns===
*conj. i, du/u, khê, si, it, gia, dul/ul, doi/oi
*conj. i, du/u, khê, si, it, gia, dul/ul, doi/oi
*disj. mi, du, khim, kher, it, eox, dul, dam
*disj. mi, du, khim, kher, it, eox, dul, dam
*poss. moi, ur, khex, kher, itx, eor, dux, dar
*poss. mơ, ur, khex, kher, itx, eor, dux, dar


inflected prepositions
inflected prepositions
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The definite article is invariably ''dơ''. There is no indefinite article.
The definite article is invariably ''dơ''. There is no indefinite article.


Umlaut, known in Lõis as affection, is used for some plurals: for example,  
Umlaut, known in-universe as affection, is used for some plurals: for example,  
*''mon'' 'man', ''mơn'' (gen. ''mơnx'') 'men'.
*''mon'' 'man', ''mơn'' (gen. ''mơnxi'') 'men'.


===Verbs===
===Verbs===
Only the imperative/infinitive survives in lexical verbs. There is also a passive participle in ''-ơd'' (only used as an adjective).
Only the imperative/infinitive survives in lexical verbs. There is also a passive participle in ''-ơd'' (only used as an adjective).


VSO syntax with the verbal noun form is often used in narratives.
Maghrebi Azalic uses a Biblical Hebrew-like tense system, under older [[Knench]] influence:
* Proto-Azalic sigmatic, ''ekh'' + sigmatic = yiqṭol, wayyiqṭol
* Proto-Azalic stative, ''ekh'' + stative = qåṭal, wăqåṭal
* imperative
The particle ''ekh'', which is analogous to the Hebrew waw-consecutive, derives from PIE *h₁esti-kʷe; it was first used with the sigmatic to disambiguate the past meaning of the sigmatic from the subjunctive meaning, and was extended to the stative by analogy.


===Auxiliaries===
===Auxiliaries===
{{PAGENAME}} has an auxiliary verb system similar to Colloquial Welsh. In addition, there is a T-V distinction: the 2nd person plural ''u'' is also used as a polite pronoun.
Colloquial {{PAGENAME}} has an auxiliary verb system similar to Colloquial Welsh. In addition, there is a T-V distinction: the 2nd person plural is also used as a polite pronoun.
 
The choice of preposition before the lexical verb also controls the tense:
*''Im ot het'' = I eat/I am eating (lit. I am at eating)
*''Im pho het'' = I have eaten (lit. I am after eating)
{| border="1" cellpadding="1" cellspacing="1" class="greentable lightgreenbg" style="width: 700px; text-align:center;"
|+ Various auxiliaries in {{PAGENAME}}
! style="width: 75px; "| → Person
! style="width: 75px; " | I
! style="width: 75px; " | thou
! style="width: 75px; " | he
! style="width: 75px; " | she
! style="width: 75px; " | it
! style="width: 75px; " | we
! style="width: 75px; " | blotp
! style="width: 75px; " | they
! | Non-pronominal
|-
! Present (''sêu'' is from *seq̇ 'see')
| ''im''
| ''dur''
| ''khês''
| ''sis''
| ''its''
| ''giar''
| ''dulơr''
| ''dar''
| ''sêu''
|-
! Pres. Interrogative
| ''am i''
| ''ar du''
| ''is khê''
| ''is si''
| ''ist''
| ''ar gia''
| ''ar dul''
| ''ar doi''
| ''is''
|-
! Pres. Negative or neg. interr.
| ''nam i''
| ''nar du''
| ''nis khê''
| ''nis si''
| ''nist''
| ''nar gia''
| ''nar dul''
| ''nar doi''
| ''nis''
|-
! Past (from aorist *dʰéh₁t of *dʰeh₁ 'to do')
| ''ted i''
| ''ted u''
| ''ted khê''
| ''ted si''
| ''ted it''
| ''ted gia''
| ''ted ul''
| ''ted oi''
| ''ted''
|-
! Future/Subjunctive
| ''ter i''
| ''ter du''
| ''ter khê''
| ''ter si''
| ''ter it''
| ''ter gia''
| ''ter dul''
| ''ter doi''
| ''ter''
|}


==Sample text==
==Sample text==
===The Nightingale and the Rose (Oscar Wilde)===
===From "The Nightingale and the Rose" (Oscar Wilde)===
{{col-begin}}
{{col-begin}}
{{col-break}}
{{col-break}}
<poem>
<poem>
'''Dơ Noitingươl đu dơ Verd'''
'''Dơ Noitingươl đu dơ Vard'''


"Ted si gekh ter si pho khơrđi gi mi vưt ter i pho ơdvơr verdơx radơx đor," biêc dơ Mathit dưng; "ơlt nis verd rad in ol moi buxtn."
"Ted si gêu ter si pho khơrđi gim vưt ter i pho ơdvơr vardơx radơx đor," biêc dơ Mathit dưng; "ơlt nis vard rad in ol mơ buxtn."


Phar kher nert on dơ đriêu kholm-uôc khar dơ Noitingươl đoim, đu otơc si eot thơr dơ lavơx, đu pharơcs si.
Phar kher nert on dơ đriêu kholm-uôc khar dơ Noitingươl khim, đu otơc si eot thơr dơ lavơx, đu pharơcs si.


"Nis verd rad in ol moi buxtn!" cri khê, đu phêl khis êux phormuôs gi đơr. "Ơi, on khot thengơx lưtl tis đơ phơlixơđê ot dơpend! Ted i pho cri ol thengơx khot dơ hokhmơx pho scriv, đu sêu ol xôdơx philosophi moi dal, ơlt on det verd rad tis moi loiv pho khoel likhtơd."
"Nis vard rad in ol mơ buxtn!" biêc khê, đu phêl khis êux phormuôs gi đơr. "Ôi, on khot thengơx lihtl tis dơ phơlíxơđê ot dơpén! Im pho cri ol thengơx tis dơ sajơx pho scriv, đu sêu ol misriơx philóxophi mơ dal, ơlt on devit vard rad tis mơ loiv pho khoel bilihtơd."
</poem>
</poem>
{{col-break}}
{{col-break}}
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'No red rose in all my garden!' he cried, and his beautiful eyes filled with tears. 'Ah, on what little things does happiness depend! I have read all that the wise men have written, and all the secrets of philosophy are mine, yet for want of a red rose is my life made wretched.'  
'No red rose in all my garden!' he cried, and his beautiful eyes filled with tears. 'Ah, on what little things does happiness depend! I have read all that the wise men have written, and all the secrets of philosophy are mine, yet for want of a red rose is my life made wretched.'  
</poem>
</poem>
[[Category:Lõis]][[Category:Azalic languages]][[Category:Indo-European languages]]
[[Category:Indo-European languages]]

Latest revision as of 19:10, 9 April 2023


In Irta, Maghrebi Azalic is a North African Azalic language. It is inspired by Vietnamese, Maghrebi Arabic, and Yiddish. (should rename)

Its main post-proto-Azalic loan sources are Greek, Knench, English and Arabic.

Todo

  • eh2, eh3 -> əu(creaky)
    • Nguyễn /ŋwḭə̯n/: a unisex given name, result of syncope from PAzal *ŋəw̃iən 'renowned, honored' < PIE *ǵnoh₃-ey-mnos 'made known'

Phonology

as in Vietnamese; note: r /ɹ/, d /z/, j /ʒ/, g is always /ɣ/, x /s/, s /ʃ/, đr = /ɖ~ɭ/

m n l can be syllabic

Maghrebi Azalic is tonal. A stressed syllable may have either modal or creaky tone.

Orthography

Maghrebi Azalic is natively written in either the Knench alphabet or Latin orthography based on the in-universe Old English orthography.

Morphology

Spoken Riphean is analytic, like Colloquial Welsh. Literary Riphean is practically a Literary Knench or Biblical Hebrew relex (as close as you can get from Proto-Azalic).

Pronouns

  • conj. i, du/u, khê, si, it, gia, dul/ul, doi/oi
  • disj. mi, du, khim, kher, it, eox, dul, dam
  • poss. mơ, ur, khex, kher, itx, eor, dux, dar

inflected prepositions

Nouns

Two cases (nominative and genitive), no gender

  • Genitive singular is always -x or -ơx
  • Plural is almost always nom. -i, gen. -xi

The definite article is invariably dơ. There is no indefinite article.

Umlaut, known in-universe as affection, is used for some plurals: for example,

  • mon 'man', mơn (gen. mơnxi) 'men'.

Verbs

Only the imperative/infinitive survives in lexical verbs. There is also a passive participle in -ơd (only used as an adjective).

Maghrebi Azalic uses a Biblical Hebrew-like tense system, under older Knench influence:

  • Proto-Azalic sigmatic, ekh + sigmatic = yiqṭol, wayyiqṭol
  • Proto-Azalic stative, ekh + stative = qåṭal, wăqåṭal
  • imperative

The particle ekh, which is analogous to the Hebrew waw-consecutive, derives from PIE *h₁esti-kʷe; it was first used with the sigmatic to disambiguate the past meaning of the sigmatic from the subjunctive meaning, and was extended to the stative by analogy.

Auxiliaries

Colloquial Maghrebi Azalic has an auxiliary verb system similar to Colloquial Welsh. In addition, there is a T-V distinction: the 2nd person plural is also used as a polite pronoun.

Sample text

From "The Nightingale and the Rose" (Oscar Wilde)

Dơ Noitingươl đu dơ Vard

"Ted si gêu ter si pho khơrđi gim vưt ter i pho ơdvơr vardơx radơx đor," biêc dơ Mathit dưng; "ơlt nis vard rad in ol mơ buxtn."

Phar kher nert on dơ đriêu kholm-uôc khar dơ Noitingươl khim, đu otơc si eot thơr dơ lavơx, đu pharơcs si.

"Nis vard rad in ol mơ buxtn!" biêc khê, đu phêl khis êux phormuôs gi đơr. "Ôi, on khot thengơx lihtl tis dơ phơlíxơđê ot dơpén! Im pho cri ol thengơx tis dơ sajơx pho scriv, đu sêu ol misriơx philóxophi mơ dal, ơlt on devit vard rad tis mơ loiv pho khoel bilihtơd."

The Nightingale and the Rose

'She said that she would dance with me if I brought her red roses,' cried the young Student; 'but in all my garden there is no red rose.'

From her nest in the holm-oak tree the Nightingale heard him, and she looked out through the leaves, and wondered.

'No red rose in all my garden!' he cried, and his beautiful eyes filled with tears. 'Ah, on what little things does happiness depend! I have read all that the wise men have written, and all the secrets of philosophy are mine, yet for want of a red rose is my life made wretched.'

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