User:IlL/Spare pages 1/65: Difference between revisions

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==A==
*'''AETHER''': Augmented Error-Tolerant Human-Emulating Reality, Edna's imagined utopia
==C==
==C==
*'''cenny''' (from Greek κοινωνία): Josephan place of worship are not called churches, but cennies.
==D==
*'''dight''': A Romantic-period English-language art song (with piano or chamber accompaniment)


==J==
==K==
*'''St. Jesus's Prayer''': A prayer which asks for the King Messiah to come soon among other things. The Josephan equivalent of the Lord's Prayer.
*'''''kaléer''''' (pl. ''kaléera''): a Shalaian-language art song, usually microtonal
*'''Josephanism''' (placeholder name): A pre-Ascent Abrahamic religion stemming from an early Christian sect. It considers Jesus ("St. Jesus of Nazareth") not to be God but a holy man who fulfilled the prophecy of a suffering figure (Messiah ben Joseph) who heralds the future messianic king (Messiah ben David). Its sacred canon is called the Scrolls: the Old Scrolls (Hebrew Bible), the Middle Scrolls  (certain prophets and other writings such as Maccabees) and the New Scrolls (the words of Jesus and his followers). It also has a recorded oral tradition of Saints and interpretations of Scroll teachings. Its liturgical language is [[Liturgical Francian|Francian]].


==K==
*'''''kowl'eerí'na''''' (pl. ''kowl'eerí'ni'', literally 'beautification [of a prayer]'): A [[Shalaian]] liturgical poem, often as part of a D/s kink ritual. Melodies for ''kowl'eerí'ni'' are set to either  a solo voice with accompaniment or a choir; they are in some ways similar to Ashkenazi Jewish liturgical melodies but employ more exotic tunings (like JI and 31-tone equal temperament) and rhythms (such as Scotch snaps). Art music set to those liturgical poems also exists.
==S==
==S==
*'''Saints''' are figures of exemplary holiness (devotion or righteousness) in Josephanism who have attained eternal life and  now intercede on behalf of the worshipper, as in Catholicism. Josephanism recognizes the prophets in the Hebrew Bible and Jesus of Nazareth as Saints, as well as other figures.
*'''shrine''': an AETHER locale created to worship a specific person in kink contexts. A shrine can look like anything; it may be a church-like building.
*'''shrine''': an AETHER locale created to worship a specific person in kink contexts. A shrine can look like anything; it may be a church-like building.
==T==
*'''''tanóo'tłamid''''' ([[Shalaian]] for 'immersion' or 'submersion'): attachment or passion that one experiences for one's personal deity, often with the implication of a feeling of fusing into one with the god. Similar to the Kabbalistic concept of ''devekut''.
==U==
*'''''useerí'na''''' (pl. ''useerí'ni'', literally 'beautification [of a prayer]'): A [[Shalaian]] liturgical poem. Melodies for ''useerí'ni'' are set to either a solo voice with accompaniment or a choir/a cappella; they are in some ways similar to Ashkenazi Jewish liturgical melodies but employ more exotic tunings (like JI and 31-tone equal temperament) and rhythms (such as Scotch snaps). ''Kaléera'', or art songs, set to those liturgical poems also exist.
==Y==
*'''Yiddish''': [[Judeo-Gaelic]].

Latest revision as of 01:03, 10 May 2023

A

  • AETHER: Augmented Error-Tolerant Human-Emulating Reality, Edna's imagined utopia

C

D

  • dight: A Romantic-period English-language art song (with piano or chamber accompaniment)

K

  • kaléer (pl. kaléera): a Shalaian-language art song, usually microtonal

S

  • shrine: an AETHER locale created to worship a specific person in kink contexts. A shrine can look like anything; it may be a church-like building.

T

  • tanóo'tłamid (Shalaian for 'immersion' or 'submersion'): attachment or passion that one experiences for one's personal deity, often with the implication of a feeling of fusing into one with the god. Similar to the Kabbalistic concept of devekut.

U

  • useerí'na (pl. useerí'ni, literally 'beautification [of a prayer]'): A Shalaian liturgical poem. Melodies for useerí'ni are set to either a solo voice with accompaniment or a choir/a cappella; they are in some ways similar to Ashkenazi Jewish liturgical melodies but employ more exotic tunings (like JI and 31-tone equal temperament) and rhythms (such as Scotch snaps). Kaléera, or art songs, set to those liturgical poems also exist.

Y

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