Verse:Tricin/Musical traditions archaeology: Difference between revisions

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#* This ''vọj'' is used in a meditative mood as it is also the simplest to describe mathematically.

# ''vọj Hủd'': 8:9:10:11:12:13:15:16

#* This is canonically called the happiest ''vọj'' because of its "leading tone" and is frequently used in dance pieces.

#* This is canonically called the happiest ''vọj'' because of its "leading tone" and is frequently used in dance pieces. Due to its association with lighthearted dance, it is not usually included in longer works.

# ''vọj Rů̃'': 8:9:10:11:12:14:15:16

#* This mode only exists in theory.

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The most common folk style is a monophonic melody over a drone on 1/1 and 3/2 of the tonic of the mode. It is mostly rhythmic but with complex changing meter.

=== slă{{grave}}n Grø{{cdb}}mq (dance cycle) ===

The dance cycle form (slă{{grave}}n Grø{{cdb}}mq) is the longest of all Æ traditional musical styles. The traditional order of the sections is so:

* The main rhythms of each dance is played by the ''bæ{{ring}}{{cdb}}m''.

* The beginning is in ''vọj Bæ̀v'' and is an arythmic improvisation, usually by the ''slů̀'' or ''æ̉m'', or both, in imitation.

* The next section is a medium-tempo (about 3 beats per second) dance in 16/8 called ''gro{{tilde}}d Njrå̉v'' in ''vọj Jav Læ{{cdb}}q''. Its main rhythm is:

\ . . \ . . \ . . \ . . \ . \ .

* The next section is a slower dance (about 2.5 beats per second) in 14/8 called ''gro{{tilde}}d Fo{{acute}}vq'' in ''vọj Kyn''. Its main rhythm played by the ''Gro{{tilde}}d bæ{{ring}}{{cdb}}m'' is:

\ . . \ . . \ . . \ . . \ .

* The next section is a slow dance (about 2 beats per second) in 10/8 called ''gro{{tilde}}d Sle Fảjq'' in ''vọj Gjám''. Its main rhythm is:

\ . \ . \ . \ . \ \

* The final section is a slow dance, played at the same tempo as the ''gro{{tilde}}d Sle Fảjq'', in 16/8, called the ''gro{{tilde}}d Ů{{tilde}}q'' in ''vọj Hír Må̉r''. Its main rhythm is:

* \ . . . \ . . . \ . . \ \ . \ .

@@ Line 3: / Line 3: @@
 #* This ''vọj'' is used in a meditative mood as it is also the simplest to describe mathematically.
 # ''vọj Hủd'': 8:9:10:11:12:13:15:16
-#* This is canonically called the happiest ''vọj'' because of its "leading tone" and is frequently used in dance pieces.
+#* This is canonically called the happiest ''vọj'' because of its "leading tone" and is frequently used in dance pieces. Due to its association with lighthearted dance, it is not usually included in longer works.
 # ''vọj Rů̃'':  8:9:10:11:12:14:15:16
 #* This mode only exists in theory.
@@ Line 68: / Line 68: @@
 The most common folk style is a monophonic melody over a drone on 1/1 and 3/2 of the tonic of the mode. It is mostly rhythmic but with complex changing meter.
+=== slă{{grave}}n Grø{{cdb}}mq (dance cycle) ===
+The dance cycle form (slă{{grave}}n Grø{{cdb}}mq) is the longest of all Æ traditional musical styles. The traditional order of the sections is so:
+* The main rhythms of each dance is played by the ''bæ{{ring}}{{cdb}}m''.
+* The beginning is in ''vọj Bæ̀v'' and is an arythmic improvisation, usually by the ''slů̀'' or ''æ̉m'', or both, in imitation.
+* The next section is a medium-tempo (about 3 beats per second) dance in 16/8 called ''gro{{tilde}}d Njrå̉v'' in ''vọj Jav Læ{{cdb}}q''. Its main rhythm is:
+ \ . . \ . . \ . . \ . . \ . \ .
+* The next section is a slower dance (about 2.5 beats per second) in 14/8 called ''gro{{tilde}}d Fo{{acute}}vq'' in ''vọj Kyn''. Its main rhythm played by the ''Gro{{tilde}}d bæ{{ring}}{{cdb}}m'' is:
+ \ . . \ . . \ . . \ . . \ .
+* The next section is a slow dance (about 2 beats per second) in 10/8 called ''gro{{tilde}}d Sle Fảjq'' in ''vọj Gjám''. Its main rhythm is:
+ \ . \ . \ . \ . \ \
+* The final section is a slow dance, played at the same tempo as the ''gro{{tilde}}d Sle Fảjq'', in 16/8, called the ''gro{{tilde}}d Ů{{tilde}}q'' in ''vọj Hír Må̉r''. Its main rhythm is:
+* \ . . . \ . . . \ . . \ \ . \ .