Verse:Tricin/Musical traditions archaeology: Difference between revisions
mNo edit summary Tags: Mobile edit Mobile web edit |
mNo edit summary Tags: Mobile edit Mobile web edit |
||
| Line 1: | Line 1: | ||
'''Traditional Æ music''' is comprised of various styles. | '''Traditional Æ music''' is comprised of various styles. | ||
== Modes == | == Modes == | ||
Traditional Æ music is entirely based on the following nine seven-note modes found in harmonics 8-16 (the complete list of 7-note subsets that are constant structure and have a 3/2 on the tonic). These were formalized by theorist Rå̃v Ngúm Sæ̊m in year 3657 in the Angai Enlightenment calendar, and the nine modes are referred to as ''rů&# | Traditional Æ music is entirely based on the following nine seven-note modes found in harmonics 8-16 (the complete list of 7-note subsets that are constant structure and have a 3/2 on the tonic). These were formalized by theorist Rå̃v Ngúm Sæ̊m in year 3657 in the Angai Enlightenment calendar, and the nine modes are referred to as ''rụ̊r vọj Rå̃v'' 'the Rå̃v modes' (note: Æ people are referred to by their given names). | ||
# ''vọj Bæ̀v'': 8:9:10:11:12:13:14:16 | # ''vọj Bæ̀v'': 8:9:10:11:12:13:14:16 | ||
#* This ''vọj'' is used in a meditative mood as it is also the simplest to describe mathematically. | #* This ''vọj'' is used in a meditative mood as it is also the simplest to describe mathematically. | ||