Verse:Hmøøh/Segin Þwhgad: Difference between revisions
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==Traits== | ==Traits== | ||
*Basically a 20th-century mathematician living in the 18th or 19th century | *Basically a 20th-century mathematician living in the 18th or 19th century | ||
*Plot-wise she's mainly a plot device, a MacGuffin of sorts for aspirational characters. | *Plot-wise she's mainly a plot device, a MacGuffin of sorts for aspirational characters. | ||
*also known for wit | |||
*attractiveness: 6/10; not very feminine at all | *attractiveness: 6/10; not very feminine at all | ||
*typical outfit? | *typical outfit? | ||
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==Early life and education== | ==Early life and education== | ||
Sguðinn was born in the city of Flian (in the principality of ___) to a semi-aristocratic background as the third of four children. Her father, ___ Sguðinn, was a mathematics professor in the University of Flian who would compose in his spare time. Her mother, ___ ___, was a socialite, classical ''ngjeoms'' player and music teacher. Her father's father, Sguðinn ___, was an army officer, and her mother's brother, ___ ___, was a ''sjogreo'' player. | |||
A precocious tomboy, early on | A precocious tomboy, early on Rewtt was taught mathematics and ''ngjeoms'' by her parents. She started auditing music and math classes before she was 5. She was to a large extent self-taught in the boarding school math and music curriculum, seeking out math and music books to read in libraries, music to listen to, and instruments to learn to play. She was allowed to skip boarding school and to enroll in the University of Flian at age 10 by taking an entrance exam, and specialized in mathematics at age 16. | ||
Around graduation, | Around graduation, Sguðinn began to study with composers such as Cosca Síomha and to develop a musical language characterized by showy, adventurous harmony. She was also skilled in counterpoint, which was already evident in her first "string quartet" (= piece for three ''ngjeoms'' and one ''ngjeomsam'', typically structured in several movements) which she finished at 16. In fT 2252 she attempted to win the prestigious composition prize ''[prize]'', but failed<!--; her entry was deemed "too abstract for one to judge her capability of expression"-->. 4 On her second attempt in fT 2255 (at age 19) she won the prize with her ''[some cantata or mini-opera]'', marking the first time ''[prize]'' was won by a woman. | ||
After winning ''[prize]'' | After winning ''[prize]'' Sguðinn returned to the University of Flian as a doctoral student in mathematics, and was awarded a doctorate for her dissertation ''[something about algebraic curves?]'' (fT 2261) under the supervision of Zatseor Lik. Shortly thereafter, Sguðinn accepted habilitation in the mathematics department of the University of Flian. | ||
==Later life== | ==Later life== | ||
<!-- In fT 2285 (aged 48) | <!-- In fT 2285 (aged 48) Sguðinn moved to Clofabolocin (by horse and buggy) and became a professor in Semaxan University (''semaxanol savtuprazan''). -->In fT 2300 (aged 63), she retired from her academic career and secluded herself, intending to focus solely on composition. She lived in a house in Sŋórán until she died of a stroke in fT 2316 (aged 80). | ||
==Compositions== | ==Compositions== | ||
Sguðinn’s compositions, many of them commissioned, number about 250 works in total. Many of her works are chamber music and songs. Her style was described as “constrained composition” by critics, as she often tried to optimize for both economy/efficiency and expressiveness. | |||
Sguðinn could only compose at a limited pace during her academic career. Much of her œuvre comes from after she retired; she was quite prolific during this period. | |||
(Many of her “high-level” tempo markings and staff directions are in her native Chick Corean – while “low-level” ones such as dynamics markings remain in Varrkkún.) | (Many of her “high-level” tempo markings and staff directions are in her native Chick Corean – while “low-level” ones such as dynamics markings remain in Varrkkún.) | ||
| Line 69: | Line 69: | ||
==Mathematical output== | ==Mathematical output== | ||
Sguðinn contributed to algebra, number theory, and algebraic geometry. | |||
Some Grothendieckian stuff? | Some Grothendieckian stuff? | ||
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==Personal life== | ==Personal life== | ||
A lesbian, | A lesbian, Sguðinn never married a man or had children. <!--Owing to her temperament (no pun intended) and superficial charm, her relationships were many but typically short-lived. Her lovers-->She had a handful of female lovers which were usually artists, writers or scientists. | ||
[[Category:Clotricin]][[Category:Historical figures]] | [[Category:Clotricin]][[Category:Historical figures]] | ||
Revision as of 05:49, 4 August 2017
Rewtt Afnin Sguðinn (fT 2236 – fT 2316 (aged 80)) was an Eevo mathematician, composer and music theorist. Among Tricians, she is often regarded as the greatest woman composer and mathematician who ever lived.
Traits
- Basically a 20th-century mathematician living in the 18th or 19th century
- Plot-wise she's mainly a plot device, a MacGuffin of sorts for aspirational characters.
- also known for wit
- attractiveness: 6/10; not very feminine at all
- typical outfit?
- "18th-century" "outdoors" outfit - with leather and metal
- Languages: - not a lot of languages, only enough to read most Talman mathematical literature and give lectures
- Eevo (native speaker)
- Koine Netagin (non-native speaker)
- Old Netagin (can read)
Historical backdrop
Mathematics
How much of math have they axiomatized - Set theory or an equivalent axiomatization.
Do they have category theory? - No, but they are close to having it.
What algebra/number theory/geometry stuff do they know?
- Algebra and geometry (pre-university)
- Physics
- Calculus; real and complex analysis (thanks to Càdlàg and [Nail Polish guy X])
- They just got abstract algebra
Music
What composers had been there? What styles, textures and harmony had they used?
Early life and education
Sguðinn was born in the city of Flian (in the principality of ___) to a semi-aristocratic background as the third of four children. Her father, ___ Sguðinn, was a mathematics professor in the University of Flian who would compose in his spare time. Her mother, ___ ___, was a socialite, classical ngjeoms player and music teacher. Her father's father, Sguðinn ___, was an army officer, and her mother's brother, ___ ___, was a sjogreo player.
A precocious tomboy, early on Rewtt was taught mathematics and ngjeoms by her parents. She started auditing music and math classes before she was 5. She was to a large extent self-taught in the boarding school math and music curriculum, seeking out math and music books to read in libraries, music to listen to, and instruments to learn to play. She was allowed to skip boarding school and to enroll in the University of Flian at age 10 by taking an entrance exam, and specialized in mathematics at age 16.
Around graduation, Sguðinn began to study with composers such as Cosca Síomha and to develop a musical language characterized by showy, adventurous harmony. She was also skilled in counterpoint, which was already evident in her first "string quartet" (= piece for three ngjeoms and one ngjeomsam, typically structured in several movements) which she finished at 16. In fT 2252 she attempted to win the prestigious composition prize [prize], but failed. 4 On her second attempt in fT 2255 (at age 19) she won the prize with her [some cantata or mini-opera], marking the first time [prize] was won by a woman.
After winning [prize] Sguðinn returned to the University of Flian as a doctoral student in mathematics, and was awarded a doctorate for her dissertation [something about algebraic curves?] (fT 2261) under the supervision of Zatseor Lik. Shortly thereafter, Sguðinn accepted habilitation in the mathematics department of the University of Flian.
Later life
In fT 2300 (aged 63), she retired from her academic career and secluded herself, intending to focus solely on composition. She lived in a house in Sŋórán until she died of a stroke in fT 2316 (aged 80).
Compositions
Sguðinn’s compositions, many of them commissioned, number about 250 works in total. Many of her works are chamber music and songs. Her style was described as “constrained composition” by critics, as she often tried to optimize for both economy/efficiency and expressiveness.
Sguðinn could only compose at a limited pace during her academic career. Much of her œuvre comes from after she retired; she was quite prolific during this period.
(Many of her “high-level” tempo markings and staff directions are in her native Chick Corean – while “low-level” ones such as dynamics markings remain in Varrkkún.)
- 6 string trios
- 12 string quartets
- 12 string quintets
As music theorist
Mathematical output
Sguðinn contributed to algebra, number theory, and algebraic geometry.
Some Grothendieckian stuff?
Analytic number theory?
Theorems she is responsible for:
Personal life
A lesbian, Sguðinn never married a man or had children. She had a handful of female lovers which were usually artists, writers or scientists.