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Rhyming poetry is often said to be from [[Windermere/Classical|Windermere]] and [[Tseer/Classical|Tseer]] influence, as poetry in these languages tend to use rhyme. This supplanted ___ used in Tigol poetry. | Rhyming poetry is often said to be from [[Windermere/Classical|Windermere]] and [[Tseer/Classical|Tseer]] influence, as poetry in these languages tend to use rhyme. This supplanted ___ used in Tigol poetry. | ||
*'''Stress-accentual meters''' like trochaic/iambic/dactylic meters: the iambic pentameter is common as in English. | *'''Stress-accentual meters''' like trochaic/iambic/dactylic meters: the iambic pentameter is common as in English. | ||
*'''Quantitative meters''' arose in the vernacular poetic tradition. Like medieval Hebrew piyyutim, these meters are based on a pattern of long and short syllables, where short = a syllable ending in [ə] and long = everything else. | *'''Quantitative meters''' arose in the vernacular poetic tradition. Like medieval Hebrew piyyutim, these meters are based on a pattern of long and short syllables, where short = a syllable ending in [ə] and long = everything else. x = ancep | ||
** | **sLxLsLxL (hazaj/marnin) | ||
** | **sxLsLxLsxLsLxL | ||
** | **xLsLxL xLsLxL (like Shaħar Avakeshkha) | ||
** | **xLsLxLsxLsL (mahir) | ||
** | **xLsLxLsLxL (variant of mahir; like Yigdal) | ||
** | **xLsxLsxLxL | ||
** | **sLxLsLxLsxL (merubeh) | ||
** | **xLsxLsLxLsxLsL (mitpashet) | ||
**sLxLxLsLxLxL | |||
[[Category:{{PAGENAME}}]] | [[Category:{{PAGENAME}}]] | ||