Verse:Hmøøh/Talma/Music: Difference between revisions

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*Throat-singing, natural horns, monochords lead to knowledge of higher harmonics; mainly overtone scales; mainly monophonic

*"Classical" period: Tsăhong Tamdi's treatise [[Literature:Elements of Harmony|''Elements of Harmony'']] is published ~> tonality diamonds, Partchian scales

*Etsoj Jopah (n,k)-anies, Euler-Fokker and other CPS's; development in non-tuning aspects of music such as forms and texture; emergence of opera; more instrumental; instruments start to assume modern form. Modulations start to become more common. Music mostly sounds "sweet" up to this time.

*"Romantic" period: Johnstonian free JI

*Descending down to scales and modulations motivates temperaments

*"Neoclassical" period: Etsoj Jopah's (n,k)-anies, Euler-Fokker and other CPS's

*"~~Romantic~~"~~/Temperament~~ period: ~~freer use of expressive "dissonant" harmony; expansion in available timbres, longer music and larger orchestras~~

*"Neoromantic" period: Askuucis's work on equal temperaments

**Think Ben Johnston's ~~String Quartet 6~~

*Temperament period: constant structures and equal temperaments~~; more emphasis on counterpoint then in previous eras; chamber music and sewvore favored. Some see this as a step to democratizing music.~~

**Fugues/canons in weird temperaments is Etalocin's serialism analogue

**Partchian corporeality from Tizian music

==Standardization==

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 *Throat-singing, natural horns, monochords lead to knowledge of higher harmonics; mainly overtone scales; mainly monophonic
 *"Classical" period: Tsăhong Tamdi's treatise [[Literature:Elements of Harmony|''Elements of Harmony'']] is published ~> tonality diamonds, Partchian scales
-*Etsoj Jopah (n,k)-anies, Euler-Fokker and other CPS's; development in non-tuning aspects of music such as forms and texture; emergence of opera; more instrumental; instruments start to assume modern form. Modulations start to become more common. Music mostly sounds "sweet" up to this time.
+*"Romantic" period: Johnstonian free JI
-*Descending down to scales and modulations motivates temperaments
+*"Neoclassical" period: Etsoj Jopah's (n,k)-anies, Euler-Fokker and other CPS's
-*"Romantic"/Temperament period: freer use of expressive "dissonant" harmony; expansion in available timbres, longer music and larger orchestras
+*"Neoromantic" period: Askuucis's work on equal temperaments
-**Think Ben Johnston's String Quartet 6
-*Temperament period: constant structures and equal temperaments; more emphasis on counterpoint then in previous eras; chamber music and sewvore favored. Some see this as a step to democratizing music.
-**Fugues/canons in weird temperaments is Etalocin's serialism analogue
-**Partchian corporeality from Tizian music
 ==Standardization==