Verse:Hmøøh/Prăfin of Bălang: Difference between revisions
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Composed in Palkha: | Composed in Palkha: | ||
*''Doan șăngut Łep'' (One to Eight) - a postminimalist piece for dulcimer, eight flutes or cellos and eight ''pātre''s | *''Doan șăngut Łep'' (One to Eight) - a postminimalist piece in the Răthamrona tradition, for dulcimer, eight flutes or cellos and eight ''pātre''s | ||
*''Āku viḍavē Saraṇā'' (''Ec fi Sarana yăthang'', Over the calm Sarana) - a Palkhan classical piece, commissioned by the vocalist ___ | *''Āku viḍavē Saraṇā'' (''Ec fi Sarana yăthang'', Over the calm Sarana) - a Palkhan classical piece, commissioned by the vocalist ___ | ||
Revision as of 05:22, 16 July 2018
Prăfin fab-Bălang /pʰrəˈvin fap pəˈʟaŋ/ was a Windermere psychologist, musicologist and composer.
Todo
Life
Prăfin was born and raised in the city of Rǎ'ac Thea in Wen Dămea; he was invited to study music in Palkha at 12 and got a scholarship to go to Bjeheond and study Bjeheondian music.
Făb-Bălang disliked modern Talman music for its elitism - and by extension, everything since the Romantic period, since he saw the whole tradition as encouraging elitism. He disapproved of major Talman composers such as Sáengeor, Skéucis, and Djangdae, and theoretical constructs such as regular temperaments. As a reaction to these trends, făb-Bălang became an exponent of the Neoclassical movement in Talma.
Musical pieces
Composed in Palkha:
- Doan șăngut Łep (One to Eight) - a postminimalist piece in the Răthamrona tradition, for dulcimer, eight flutes or cellos and eight pātres
- Āku viḍavē Saraṇā (Ec fi Sarana yăthang, Over the calm Sarana) - a Palkhan classical piece, commissioned by the vocalist ___
Composed in Bjeheond:
- Fi Rănang Dihatuay (The Invisible Wolf) - story and tone poem
- Taab Llhaid Vib Nan (Chnuream Fina, Vi-Na Air) - solo piece for ŋamsóm or double bass, inspired by Shumian vi-na music and Wiebian tsoafta