Paang: Difference between revisions

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Allowed finals: -b -d -g -idh (-j) -imh (nasalization + -j) -bh (-w) -mh (nasalization + -w) -m -n -il -r
Allowed finals: -b -d -g -idh (-j) -imh (nasalization + -j) -bh (-w) -mh (nasalization + -w) -m -n -il -r


Tones are essentially the same as in Thai:
Tones are essentially the same as in Thai. "Live syllables" (non-checked) have 5 possible tones: áM áL áF áH áR (mid low falling high rising, as in Thai).
* "Dead syllables" (checked):
** short vowel: a¹ a² (low high)
** long vowel; á¹ á² (low falling)
* "Live syllables" (non-checked): long: áM áL áF áH áR (mid low falling high rising, as in Thai)


entering tone syllables (open short vowel, or d/g final) can only take a and à tones
"Dead syllables" (open short vowel or stop final) have fewer possible tones.


forbids shm- like Irish but unlike Tigolic
forbids shm- like Irish but unlike Tigolic
== Orthography ==
== Orthography ==
Cuam uses a Far East Semitic-based abugida.
Cuam uses a Far East Semitic-based abugida.

Revision as of 18:10, 26 December 2021

Cuam (CuamR /khuəm/ with rising tone) is an Irtan Southern Chinese/SEA language in the Cuam-Flei family; it has influenced the Scandinavian-inspired Irtan Chinese lect. Its loanwards are mainly from Chinese, Mon-Khmer and Far East Semitic. Cuam is official in Cuamland.

Cuam is inspired by Irish, Thai and Hmong.

Cuam-Flei is believed to have come from the Middle East, and have undergone tonogenesis after incorporation in the Southeast Asian sprachbund. Some linguists connect the name Cuam to the PIE root *ķoy-m- via an old substrate language closely related to Azalic, which would make it cognate with the word "home".

Phonology

Initials: all Irish single consonants plus prenasalized stops and sh(n/l/r)-; allow br dr gr fr cr tr bl dl gl fl cl tl; p- only occurs in borrowings; stops are +asp/-asp like in Scottish Gaelic

shm- is only used in so-called shm-reduplication

Séimhiú should have different outcomes from Irish

In unmutated words, all Irish unmutated initials + séimhiúed initials are permissible

séimhiúed words can't séimhiú again, but when they get urúed it manifests as prenasalization:

  • **CV-(initial) > (lexically séimhiúed initial)
  • **-n CV-(initial) > n:(initial) > nC (prenasalized initial)

Vowels: all combos of +-pal x vowel allowed in Irish (assuming broad final)

Allowed finals: -b -d -g -idh (-j) -imh (nasalization + -j) -bh (-w) -mh (nasalization + -w) -m -n -il -r

Tones are essentially the same as in Thai. "Live syllables" (non-checked) have 5 possible tones: áM áL áF áH áR (mid low falling high rising, as in Thai).

"Dead syllables" (open short vowel or stop final) have fewer possible tones.

forbids shm- like Irish but unlike Tigolic

Orthography

Cuam uses a Far East Semitic-based abugida.

Grammar

absolute state is sometimes a floating mutating morpheme that marks gender (marks absolute state, construct state doesn't mutate). Sometimes absolute state manifests as a separate preposed word or syllable which may or may not mutate the word itself. (absolute state comes from a preceding classifier)

1-10: leidh¹, nán², feó¹, tlud¹, daimh⁵, án², ciúr³, shnán², shleidh¹, faoil²

Diachronics

Some "possible" syllables should be disallowed bc of historical sound change, like unasp stop initial + nasal coda + 2nd tone syllables in Mandarin

Before having mutations, Cuam had long, short and ultrashort vowels. Mutations come from preceding ultrashort syllables that are lost.

After Cuam gained mutations, it underwent the medieval Sinosphere register/tone split like most other languages in the Sinosphere, resulting in mutation depending on tone. Early Modern Cuam had a very complex system of mutations and tonal ablaut, which Modern Cuam simplified to a finite set of noun genders by analogy.

Tone diachronics

Middle Cuam (before the tone split) had 3 tones, like Middle Chinese, marked in the native script as unmarked, tone 1 and tone 2.

Consonant classes (séimhiú didn't change the consonant class while urú did)

  • Mid: *k- series, glottal stop
  • High: *kh- series, voiceless fricatives, shR-
  • Low: *g series, voiced fricatives, resonants
Tone chart
class ending unmarked (tone A) "mai ek" (tone B) "mai tho" (tone C)
mid dead low - fall
mid alive mid low fall
high dead low - fall
high alive rise low fall
low dead (short vowel) high fall -
low dead (long vowel) fall - high
low alive mid fall high