Verse:Hmøøh/Talma/Music: Difference between revisions
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*Meantone period | *Meantone period | ||
*"Neoclassical" period: n-anies and other CPS's; development in non-tuning aspects of music such as forms and texture; emergence of opera; more instrumental; instruments start to assume modern form. Modulations start to become more common. Music mostly sounds "sweet" up to this time. | *"Neoclassical" period: n-anies and other CPS's; development in non-tuning aspects of music such as forms and texture; emergence of opera; more instrumental; instruments start to assume modern form. Modulations start to become more common. Music mostly sounds "sweet" up to this time. | ||
*"Romantic" period: freer use of expressive "dissonant" harmony; expansion in available timbres, longer music and larger orchestras | *"Romantic" period: freer use of expressive "dissonant" harmony; expansion in available timbres, longer music and larger orchestras | ||
**Think Ben Johnston's String Quartet 6 | **Think Ben Johnston's String Quartet 6 | ||
*Temperament period: constant structures and non-meantone rank-2 temperaments; more "Baroque" in its approach to counterpoint; chamber music and sjogreo favored. Some see this as a step to democratizing music. | *Temperament period: constant structures and non-meantone rank-2 temperaments; more "Baroque" in its approach to counterpoint; chamber music and sjogreo favored. Some see this as a step to democratizing music. | ||