Verse:Hmøøh/Talma/Music: Difference between revisions

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*Throat-singing, natural horns, monochords lead to knowledge of higher harmonics; mainly overtone scales; mainly monophonic

*"Classical" period: Tsâhong Tamdi's treatise [[Literature:Elements of Harmony|''Elements of Harmony'']] is published ~> tonality diamonds, Partchian scales

*n-anies and other CPS's; development in non-tuning aspects of music such as forms and texture; emergence of opera; more instrumental; instruments start to assume modern form. Modulations start to become more common. Music mostly sounds "sweet" up to this time.

*Descending down to scales and modulations motivates temperaments and development of linear algebra

*"Neoclassical" period: n-anies and other CPS's; development in non-tuning aspects of music such as forms and texture; emergence of opera; more instrumental; instruments start to assume modern form. Modulations start to become more common. Music mostly sounds "sweet" up to this time.

*"Romantic"/Temperament period: freer use of expressive "dissonant" harmony; expansion in available timbres, longer music and larger orchestras

*"Romantic" period: freer use of expressive "dissonant" harmony; expansion in available timbres, longer music and larger orchestras

**Think Ben Johnston's String Quartet 6

*Temperament period: constant structures and non-meantone rank-2 temperaments; more "Baroque" in its approach to counterpoint; chamber music and ~~sjogreo~~ favored. Some see this as a step to democratizing music.

*Temperament period: constant structures and non-meantone rank-2 temperaments; more "Baroque" in its approach to counterpoint; chamber music and sewvore favored. Some see this as a step to democratizing music.

**Fugues/canons in weird temperaments is Etalocin's serialism analogue

*...

==Standardization==

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 *Throat-singing, natural horns, monochords lead to knowledge of higher harmonics; mainly overtone scales; mainly monophonic
 *"Classical" period: Tsâhong Tamdi's treatise [[Literature:Elements of Harmony|''Elements of Harmony'']] is published ~> tonality diamonds, Partchian scales
+*n-anies and other CPS's; development in non-tuning aspects of music such as forms and texture; emergence of opera; more instrumental; instruments start to assume modern form. Modulations start to become more common. Music mostly sounds "sweet" up to this time.
 *Descending down to scales and modulations motivates temperaments and development of linear algebra
-*"Neoclassical" period: n-anies and other CPS's; development in non-tuning aspects of music such as forms and texture; emergence of opera; more instrumental; instruments start to assume modern form. Modulations start to become more common. Music mostly sounds "sweet" up to this time.
+*"Romantic"/Temperament period: freer use of expressive "dissonant" harmony; expansion in available timbres, longer music and larger orchestras
-*"Romantic" period: freer use of expressive "dissonant" harmony; expansion in available timbres, longer music and larger orchestras
 **Think Ben Johnston's String Quartet 6
-*Temperament period: constant structures and non-meantone rank-2 temperaments; more "Baroque" in its approach to counterpoint; chamber music and sjogreo favored. Some see this as a step to democratizing music.
+*Temperament period: constant structures and non-meantone rank-2 temperaments; more "Baroque" in its approach to counterpoint; chamber music and sewvore favored. Some see this as a step to democratizing music.
 **Fugues/canons in weird temperaments is Etalocin's serialism analogue
-*...
 ==Standardization==