Verse:Hmøøh/Rewhd Sgutsis: Difference between revisions

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==Later life==

Shortly after receiving her doctorate, Scutsit started corresponding with a number of composers and ~~musicians~~ to exchange ideas about music. These discussions, as well as explorations of various non-Etalocian musical traditions (especially Naquian music), would inspire her to further develop the music theory at that time. These ideas were distilled into a treatise that was published in fT 2066. While Scutsit's treatise does not use the language of modern linear algebra, it still gives detailed procedures for building temperaments and other musical constructions.

Shortly after receiving her doctorate, Scutsit started corresponding with a number of composers, musicians and theorists to exchange ideas about music. These discussions, as well as explorations of various non-Etalocian musical traditions (especially Naquian music), would inspire her to further develop the music theory at that time. These ideas were distilled into a treatise that was published in fT 2066. While Scutsit's treatise does not use the language of modern linear algebra, it still gives detailed procedures for building temperaments and other musical constructions.

In fT 2076, an academic took notice of Scutsit's work and invited her to serve in the University of Cdam Sre as a professor of music. She accepted the offer and would continue to teach there for 14 years. Among her students were several notable Talman composers and popular musicians.

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 ==Later life==
-Shortly after receiving her doctorate, Scutsit started corresponding with a number of composers and musicians to exchange ideas about music. These discussions, as well as explorations of various non-Etalocian musical traditions (especially Naquian music), would inspire her to further develop the music theory at that time. These ideas were distilled into a treatise that was published in fT 2066. While Scutsit's treatise does not use the language of modern linear algebra, it still gives detailed procedures for building temperaments and other musical constructions.
+Shortly after receiving her doctorate, Scutsit started corresponding with a number of composers, musicians and theorists to exchange ideas about music. These discussions, as well as explorations of various non-Etalocian musical traditions (especially Naquian music), would inspire her to further develop the music theory at that time. These ideas were distilled into a treatise that was published in fT 2066. While Scutsit's treatise does not use the language of modern linear algebra, it still gives detailed procedures for building temperaments and other musical constructions.
 In fT 2076, an academic took notice of Scutsit's work and invited her to serve in the University of Cdam Sre as a professor of music. She accepted the offer and would continue to teach there for 14 years. Among her students were several notable Talman composers and popular musicians.