Verse:Hmøøh/Earth

Erde (German: Erde; English: Earth /ɜɹθ/; Mandarin: 地球 Dìqiú) is the creation of a Fyxoomian conlanger, Schlomo Schngellstein.

Star system

Earth is the 3rd of 8 planets orbiting the yellow main sequence star Sol (English: Sun, German: die Sonne, Mandarin: Tàiyáng), in the Milky Way Galaxy. Here are the names of the planets in English and Mandarin Chinese (with Pīnyīn transliterations for the latter):

• Mercury / 水星 Shuǐxīng
• Venus / 金星 Jīnxīng
• Earth / 地球 Dìqiú
• Mars / 火星 Huǒxīng
• Jupiter / 木星 Mùxīng
• Saturn / 土星 Tǔxīng
• Uranus / 天王星 Tiānwángxīng
• Neptune / 海王星 Hǎiwángxīng

Languages

Many languages on Earth use phonologies very similar to languages of Tricin. But Schngellstein often groups them in weird ways, so that phonologies from totally unrelated languages can show up in the same language family, and vice versa.

One of his main inspirations was the language of Jeondeoguis.

Here are a few:

• Indo-European ("Proto-Quihum" gib with a Dodellian phonology)
  • Latin (quasi-Proto-Talmic gib with a Clofab touch)
    • French (a jokelang)
    • Italian (quasi-Old Nurian)
    • Portuguese
    • Spanish
    • Romanian (Italian with a Windermere touch)
  • Greek (an artistic language with loosely Jeondeoguis and Dodellian vibes, the first IE language invented by Schngellstein)
  • Celtic (a better Proto-Talmic gib)
    • Irish (quasi-Ciètian with some Anbirese touches)
    • Welsh (pseudo-Eevo)
    • Breton (pseudo-Qazhrian)
  • Germanic (quasi-Tsayfuan Mannish gibs)
    • English (another pseudo-Eevo)
    • Dutch
    • German (an attempt at Germanic with conservative morphology)
    • Icelandic (loosely inspired by Anbirese with an Eevo touch, even more conservative)
  • Balto-Slavic (Hetomic pseudo-gibs)
  • Indo-Iranian
    • Sanskrit (another artistic language, the second invented by Schngellstein)
    • Persian
  • Armenian (an attempt to apply Gwnax sound changes to PIE)
  • Albanian (pseudo-Qazhrian)
• Uralic
  • Finnic
    • Finnish ("Jeondeoguis" gib)
    • Estonian
  • Hungarian (quasi-Pategian)
• Sino-Tibetan
  • Old Chinese
    • Mandarin Chinese (monosyllabic quasi-Báoluòveng)
    • Cantonese
    • Shanghainese
  • Tibetan
  • Burmese
• Semitic (another Quihum and Lakovic inspired family, but with Netagin morphology)
  • Biblical Hebrew (quasi-Classical Windermere)
    • Israeli Hebrew (Hebrew with a Bjeheondian Windermere accent)
  • Arabic (triconsonantal pseudo-Old Nurian)
    • Maltese (Even more like Modern Nurian)
  • Amharic (pseudo-Häskä)
• Mon-Khmer
  • Khmer (quasi-Windermere)
  • Vietic
    • Vietnamese (tonal quasi-Trây)
• Tai-Kadai
  • Thai
• Hmong-Mien
  • Hmong (tonal Eevo + Roshterian; a counterpart to French in the "other Talma", where final consonants mark tone instead of being silent)
• Eskimo-Aleut
  • Kalaallisut
• Ubykh
• Turkic
  • Turkish
• Japanese (A CW language with a simple syllable structure, loosely Prepsocandin Clofabosin-like)
• Korean (A CW language where Sinitic borrowings sound like Anbirese)
• Uto-Aztecan
  • Nahuatl (ejectiveless pseudo-Naquian)
• Salish
  • Lushootseed (inspired by Skellan-accented Swuntsim)
• Dravidian
  • Tamil (fricativeless)
• Drug generic names (Clofabosin gib)
• Na-Dené
  • Navajo (quasi-Sowaázh)
• Pama-Nyungan (Tamil gibs)

Regions

• Eurasia
  • A "Talman" area in the northwest
  • A "Bjeheondian" area in the southeast
  • Two large CW areas (one of them a subcontinent)
• Africa (A continent to the south of Eurasia)
  • Click heaven
  • Prefixing heaven
• North America (loosely-Txapoalli gib continent)
• South America
• Australia (Tamil gib continent)
• Antarctica

Musical cultures

Indonesia

Non-octave tunings based on inharmonic spectra; various 5-note divisions of the octave

Instruments: large orchestras made up of metallophones and gongs are common

Western Europe

A tradition of meantone temperament and large orchestras

Arab world

A heptatonic melodic monophonic tradition with diatonic and neutral intervals, analogous to Netagin hanier; kinda but not really tetrachordal

Siberia

A style of "throat singing" making use of harmonic series scales

North America

A period of intense experimentation with just intonation and other linear temperaments. Key figures: Harry Partch, Ivor Darreg, Erv Wilson, Julián Carrillo, Ezra Sims