forumadmin, Administrators
2,041
edits
m (→Introduction) |
|||
Line 29: | Line 29: | ||
--> | --> | ||
===Inspiration=== | |||
Omonkwi started as an early attempt to capture the sounds I liked from mesoamerican indigenous languages via a poorly pronounced (by my high-school teacher) version of deity names in the [[w:Popol Vuh|Popol Vuh]]. Names such as ''Vucub Caquix, Cabrakán, Zipacná'' and ''Chimalmat''. It can be viewed as a weird kind of homage, trying to create a language out respect for it but not having the materials to know more about it, something common before the rise of the internet as we know it. | Omonkwi started as an early attempt to capture the sounds I liked from mesoamerican indigenous languages via a poorly pronounced (by my high-school teacher) version of deity names in the [[w:Popol Vuh|Popol Vuh]]. Names such as ''Vucub Caquix, Cabrakán, Zipacná'' and ''Chimalmat''. It can be viewed as a weird kind of homage, trying to create a language out respect for it but not having the materials to know more about it, something common before the rise of the internet as we know it. | ||
Line 42: | Line 43: | ||
--> | --> | ||
==Phonology== | ==Phonology== | ||
The phonology is quite rich and includes more phonemes than either of its inspirational donors; including the distinction of ''š ž'', ''s z'', and the voiced stops. | The phonology is quite rich and includes more phonemes than either of its inspirational donors; including the distinction of ''š ž'', ''s z'', and the voiced stops. |