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The most common meter in literary verse by far is the anapestic tetrameter: (u)uSuuSuuSuuS. It is also used in the [[Verse:Tricin/King Sămtsay Song|King Sămtsay Song]], the Bjeheondian national anthem. | The most common meter in literary verse by far is the anapestic tetrameter: (u)uSuuSuuSuuS. It is also used in the [[Verse:Tricin/King Sămtsay Song|King Sămtsay Song]], the Bjeheondian national anthem. | ||
Some other meters are: | |||
*Free verse | |||
*Rhyming prose, like poetic sections of the Imθumăytil | |||
*Piyyut meters (but not piyyut rhyming) from Netagin poetry | |||
Iambic meters and meters that use a combination of iambs and anapests are also used. An iambic meter that goes back to Classical Windermere verse is the ''chinung tălach'' ('hexad meter', more literally 'hexad count'), a form of alexandrine where each line consists of two iambic trimeter hemistichs separated by a caesura. The first of each group of three feet may occasionally be a trochee. | Iambic meters and meters that use a combination of iambs and anapests are also used. An iambic meter that goes back to Classical Windermere verse is the ''chinung tălach'' ('hexad meter', more literally 'hexad count'), a form of alexandrine where each line consists of two iambic trimeter hemistichs separated by a caesura. The first of each group of three feet may occasionally be a trochee. | ||
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''— from Dzüłəf's Song'' | ''— from Dzüłəf's Song'' | ||
</poem> | </poem> | ||
==== Gibberish piyyut ==== | ==== Gibberish piyyut ==== | ||
<poem> | <poem> | ||