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Aoife O'Flaherty (An Bhlaoighne and Irish: Aoife Ní Fhlaithbheartaigh An Bhl. /ˈao̞jfe̞ niː ˈfʰlajt̪ʰbʱe̞art̪ajgʱ/, Cualand Irish: /'iːfʲə nʲiː ˈl̪ˠahəɾˠt̪ˠɪɟ/ Ăn Yidiș and Hebrew: חמדה ני פֿל׳אַהארתּיהּ Cualand Ăn Yidiș /ˈχɛmt̪⁼ə nɪ ˈwahəʂʈ⁼ɪh/, Hebrew /ˈχemda ni ˈlaherti/) is a Fishomian conlanger, video game composer and video game developer of Irish-Jewish descent. She is a native speaker of Cualand Ăn Yidiș, Irish, and English, is fluent in Șinach Netagin and Hebrew, and can read Mandarin, Classical Netagin, and Old Irish. She is a trans woman and a Reconstructionist Jew (not believing but moderately observant). She is best known for her game Méich Bhaonnáiqh (placeholdr name) and its associated conlang, An Bhlaoighne.
This "setting" is one of our (Inthar and Praimhín's) placeholders for certain conlangs that are too gibby, memey, or unnaturalistic for any of our conworlds. See also Verse:Schngellstein.
Conlangs
Aoife generally avoids Old Irish or Tigol aesthetics for fantasy languages because that's the default fantasy aesthetic in Tricin/CF Tricin; many of Aoife's languages are inspired by Hebrew, particularly in Méich Bhaonnáiqh
Fictional conworlds
Others
- Justin Wieber
- a language family inspired by Tsimulh
- Verse:Aoife/Hiberno-Korean
- Tumacan?
Early sketchlangs
- Camalic --- A language family inspired by Literal Irish, Semitic/Idavic and Nurian
Video games
- (something with Méich Bhaonnáiqh in it), a science fantasy RPG
Music
- Wrote the soundtrack for Méich Bhaonnáiqh
- works in many different tunings but mainly small edos and mosses and functional harmony using iso-differential chords as consonances
- Suite on the Medieval Talman Pegol
- A 3-part fugue in 8ed(3/2)
- lots of 11edo, 13edo, 18edo, 26edo and 12ed3/2 pieces
- Well-Tempered 13edo Clavier: 26 Preludes (some of them fugues or prelude+fugue) in 13edo
- fav mos is 11edo's 4L 3s (fav mkdes 6|0, 5|1, 0|6), sometimes other mosses like antidiatonic, 5L 3s (the 7|0, 6|1, 5|2, 4|3 modes and some altered modes).
- often multiple tunings in one song
- melodic, not too dark, but not above bittersweetness
- likes counterpoint (isn't really a thing in Talman or Tsarfati Jewish music)