Arini
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Arini (from Purhepecha arhini 'speak') is an auxiliary conlang (auxlang) originally intended for global communication between people from different countries, however as time passed, the language began to become an auxiliary language for the Kaybur book series. The language was born in November 2, 2018, by Adonái Castro. The orthography of Arini is primarily Latin, although it has also been adapted to other writing systems.
| Arini | |
|---|---|
Flag of the Arini | |
| Pronunciation | [/a'ɾini/] |
| Created by | Señor Mayonesa |
| Setting | Auxlang |
Default
| |
| Sources | Worldwide |
| Language codes | |
| CLCR | qii |
Introduction
It's a language after all the languages in the world that seeks to be an auxiliary language, initially it was intended to be used by real human beings. The direction taken to know which words to take from each language is commonly related to the origin of the concept, that is, from the cultures that demonstrated to cultivate rice first that's where the language for the word "rice" will be taken from, or those first civilizations to encounter a certain animal.
Phonology
The phonology was for a long time the cause of rejection and change, currently this is the phonology that has lasted the longest and is probably the ultimate form. Arini phonology has five vowels (a /ä/, e /e̞/, i, o /o̞/, u /u̟/) and two diphthongs (v /ʊ/ and y /ɪ/).
| Letters | A | B | C | D | Dz | Dj | E | F | G | Gy | Gz | Gj | H | Hr | Hl | I | K | Ks | Kx | L | Ly | M | N | Ny | O | P | R | Rr | S | X | T | Tl | Ts | Tx | U | V | Y | Z | J |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| Suggested | ä | b | θ | d | ʣ | ʤ | e̞ | ɸ | ɡ | ɡʲ | ɡ͡z | ɡ͡ʒ | x | xɾ̥ | xl̥ | i | k | k͡s | k͡ʃ | l | lʲ | m | n | nʲ | o̞ | p | ɾ | ɾ.ɾ | s | ʃ | t | tl | ʦ | ʧ | u̟ | ʋ | j | z | ʒ |
| Alternate | a ɐ ɑ | β̞ bʰ | ɹ̝̊ | ð̞ dʰ | d̪͡z̪ | ʥ | e ɛ | f | ɰ ɡʰ | ɰʲ ɟ ɡʰʲ ɟ | ɡ͡z̪ | ɡ͡ʑ | χ, h, ħ | ʀ̥ χɾ̥ hɾ̥ ħɾ̥ | ɬ /χl̥ / hl̥ / ħl̥ | ɨ / ɪ / i̟ | k | k͡s̪ | k͡ɕ k͡s̪ʲ | ɮ ɫ | ɫʲ ɮʲ ʎ | ɱ | ŋ ɴ n̪ | ɲ ŋʲ ɴʲ n̪ʲ | o
ɔ ɒ |
pʰ
pʼ |
ɾ̥
ɹ |
ɾʔ r r̥ | s̺ / s̪ / s̻ |
ɕ |
tʰ
tʼ |
t͡ɬ | t̪͡s̪ | ʨ | u | v | ʝ ɪ̯ | z̪ | ʑ |
The Arini has seventeen consonants and five vowels.
- Multiple consonants are subject to change under the influence of the semiconsonants "y" /j/ and "v" /ʋ/ which when next to a consonant are pronounced "y" /ʲ/ and "v" /ʷ/; "ny" can be pronounced as /ɲ/, "zy" /sʲ/ as /ɕ/ and "zy" /zʲ/ can pronounced as /ʑ/, "ly" /lʲ/ as /ʎ/, "hy" /xʲ/ as /ç/, "ky" /kʲ/ as /c/, and "gy" /gʲ/ as /ɟ/, but it's not a rule, just a possibility.
- "v"/ ʊ̯/ and "y" /ɪ̯/ just appear at the end of syllables, at the beginning of the syllable they are replaced by the corresponding consonants /ʋ/ and /j/.
On many occasions there are words with two vowels together or even with two pairs of double vowels («"áanyaa"» ‘Virginia's dyer’), In these cases there is a variation in pronunciation (tonal or not) and writing (diacritics).
| Simple | aa | áa | aá |
|---|---|---|---|
| Diacritic | ā | â | ǎ |
| Suggested | /ä.ä/ /äʔä/ | /ˈää/ /ˈäʔä/ | /äˈʔä/ /äˈä/ |
| Tonal | /äː/ /ä˧/ | /ä˥˩/ | /ä˩˥/ |
Orthography
Scripts
| Latin | A | B | C | Tx | D | E | F | G | Dj | H | I | J | K | L | M | N | O | P | Q | R | S | Ts | T | U | V | Gv | X | Ks | Y | Z | Dz | |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| Arabic | ا | ب | ث | چ | ع | ف | غ | ڄ | ح | ې | ج | ك | ل | م | ن | ۆ | پ | ق | ر | ص | ٹ | ت | ۇ | و | ڳ | ش | خ | ي | ز | ظ | عظ | |
| Greek | Α | Β | Θ | Τσΐ/Χΰ | Δ | Ε | Φ | Γ | Δζΐ/δΰ | Χ | Ι | Ζΐ | Κ | Λ | Μ | Ν | Ο | Π | Κυ | Ρ | Σ | Τσ | Τ | Ω | Υ | Γυ | Σΐ | Ξ | Ι | Ζ | Δζ | |
| Cyrillic | А | Б | Ѳ | Ч | Д | Е | Ф | Г | І | Х | И | Ж | К | Л | М | Н | О | П | Кю | Р | С | Ц | Т | У | В | Гю | Ш | Кс | Я | З | Ѕ | |
| Kana | ア | バ | ス | チ | ダ | エ | フ | ガ | ジ | ハ | イ | ジ | カ | ラ | マ | ナ | オ | パ | クゥ | ラ | サ | ツ | タ | ウ | ヴ | グゥ | シ | クス | キャ | ザ | ヅ | |
| Shavian | 𐑨/𐑪 | 𐑚 | 𐑕 | 𐑗 | 𐑛 | 𐑧/𐑩 | 𐑓 | 𐑜 | 𐑟 | 𐑣 | 𐑰/𐑦 | 𐑡 | 𐑒 | 𐑤 | 𐑥 | 𐑯 | 𐑴/𐑫 | 𐑓𐑩 | 𐑞 | 𐑮 | 𐑕 | 𐑕𐑩 | 𐑑 | 𐑵/𐑳 | 𐑝 | 𐑢 | 𐑖 | 𐑒𐑕 | 𐑘 | 𐑟 | 𐑙 | |
| Devanagari | अ / आ | ब | थ / स | च | द | ज | ए / ऐ | फ | ग | ह | इ / ई | झ | क | ल | म | न | ओ / औ | प | क्व | र | स | त्स | त | उ / ऊ | व | ग्व | श | क्स | क्य / ग्य | ज़ | द्ज | |
| Armenian | ա / աա | բ | ց | չ | դ | ջ | ե / է | ֆ | գ | հ | ի / իի | ժ | կ | լ | մ | ն | օ / ո | պ | ք | ռ | ս | ծ | տ | ու / ուու | վ | գու | շ | կս | կյ / գյ | զ | ձ | |
| Hangul | ㅏ / ㅑ | ㅂ | ㅅ | ㅊ | ㄷ | ㅈ | ㅔ / ㅐ | ㅍ | ㄱ | ㅎ | ㅣ / ㅟ | ㅈ | ㅋ | ㄹ | ㅁ | ㄴ | ㅗ / ㅛ | ㅍ | ㅋㅜ | ㄹ | ㅅ | ㅌㅅ | ㅌ | ㅜ / ㅠ | ㅂ | ㄱㅜ | ㅅㅣ | ㅋㅅ | ㄱㅣ / ㄱㅕ | ㅈ | ㄷㅈ |
Arabic
In Arabic script labialization is shown with "ۇ" (u) and palatalization with "ې" (i), and the way to pronounce them as vowels when they are next to another vowel is to place "گ" in the middle, also there are also additional letters: "ڤ" /p͡s/ and "ڃ" /nʲ/ ~ /ɲ/. The word stress is marked with "ه".
Cyrillic
In Cyrillic script labialization is shown with "ю" (u) and palatalization with "ь". The word stress is mark with accute accent like "е́".
Greek
The word stress is mark with tonos like "έ". The question mark is ⟨;⟩, not to be confused with the semicolon ⟨;⟩.
Kana
The stressed syllable is marked with ⟨'⟩ and the lowercase letters equivalent to "v" and "y" are used for labalization and palatalization.
Shavian
In Shavian "𐑢" is used for labalization and "𐑘" for palatalization.
Diacritics
Stress is marked by a accut accent in their respective vowel, words that have stress in the penultimate syllable aren't mark, monosyllables are not mark either.
There are several words that are pronounced as if they were part of the next (prepositions) or previous word (postpositions), Most are prepositions, conjunctions, etcetera, In the dictionary these words are marked with a grave accent, for example, "dè", "èt" and "mènte" (when they join the following word, the grave accent is placed at the end and at the beginning if they join the previous one).
Consonants can often be pronounced separately, for example, "met-so" /ˈme̞t.so̞/, for this, can to use either a dash or a diaeresis ("metsö"), this can ("fùţäl" vs "fut-sál") or not ("célyïtron" vs "cél-yitron") affect the representation of stress, unless the umlaut is used instead of the dash, for this, either the grave accent (fùţál) or the double accent can be used (fuţa̋l),also it is possible to use the tilde (fuţãl).
Symbols and signs
• Question marks: ¿ ?
- Using both signs is optional.
• Exclamation marks: ¡ !
- Using both signs is optional.
• Interrobangs: ⸘ ‽
- Using both signs is optional.
• Comma: ,
- At the end of the same list, & or et is used.
• Dot: .
- Never placed after a closing sign (!, ? or ‽)
• Semicolon: ;
- It cannot be used as a question mark.
• Colon: :
- The text continues with the same topic and depends on the sentence prior to placing the colon, then a semicolon is used and it continues in lower case.
• Aposthrophe: '
- Words that are abbreviated with this sign are always juxtaposed to another word.
• Parenthesis: ( )
• Ellipsis: …
- Only three points are used, never more or less.
• Dative mark: @
- It only serves to replace the preposition.
• Conjunction mark: &
- It only works as a replacement for the copulative conjunction "et" 'and'.
Prosody
Stress
Stress is marked by a accut accent in their respective vowel, words that have stress in the penultimate syllable aren't mark, monosyllables are not mark either.
Phonotactics
The only consonants that do not consonant together in the same syllable without being affricated together with the liquid r, l are: J, Z, S, X, Y, L, R.
Cannot make affricates with consonants that are not of the same type of voice, like dc /d͡ð/.
Cannot start a syllable with a consonant plus another consonant unless it is a fricate (stereo → estéreo).
Of course cannot end a word with a stop or fricative consonant with a liquid (tl (atlu ← atl)).
The only letters that can make a diphthong are "y" and "v", apart from palatalization and labialization as well.
Morphophonology
Morphology
The Arini has 3 tenses to conjugate verbs, in addition to the progressive, subjunctive, infinitive and imperative cases:
| Time | Suffix |
|---|---|
| Present | n |
| Past | d |
| Future | l |
| Case | Suffix |
|---|---|
| Progressive | ndo |
| Subjunctive | ste |
| Imperative | y |
| Infinitive | re |
Syntax
Arini follows a Subject–Verb–Object (SVO) structure. Verbs always appear directly after the subject or pronoun. Articles precede the noun they modify. Adjectives precede the noun as well, and follow the article if present. Adverbs follow the verb they modify.
Example texts
Vorrás èt Raví cvevldelyéd abávt kvav dè cè nyiy sed plus cè tsuyoy, cèn ma celente lyegád cì zavinád ìn ma cermón umhangz.
| Vorrás | èt | Raví | cvevldelyé.d | abávt | kvav | dè | cè | nyiy | sed | plus | cè | tsuyoy | cèn | ma | celente | lyegá.d | cì | zaviná.d | ìn | ma | cermón | umhangz |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| N | CONJ | N | V.PST | PREP | INTEROG.ADJ | PREP | ART | ADJ.NUM | V.PST | ADJ.COMP | ART | ADJ | ADV.DEM | ADJ.NUM | N | V.PST | ART | V.PST | PREP | ADJ.NUM | ADJ | N |
| Boreas | and | Sun | dispute | about | which | of | the | two | be | more | the | strong | then | one | traveler | arrive | the | wrapped | in | one | warm | cloak |
Onis cvevnuíd ìn càt kì cì gvonastel primum mènte acér càt cè celente gahtaanástense sù umhangz sestel cì renkeéd komò plus tsuyoy càn cè uhra.
| Onis | cvevnuí.d | ìn | càt | kì | cì | gvona.ste.l | primum | mènte | acér | càt | cè | celente | gahtaaná.ste.n.se | sù | umhangz | sestel | cì | renkeé.d | komò | plus | tsuyoy | càn | cè | uhra |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| 3PL | V.PST | PREP | CONJ.N | CONJ.REL | ART.PASS | V.SUBJ.FUT | ADJ | POSTP.ADV | V.INF | CONJ.N | ART | ADJ | V.SUBJ.PRS | 2SG.POSS | N | V.SUBJ.FUT | ART.PASS | V.PST | ADV.REL | ADJ.COM | ADJ | CONJ.COMP | ART | ADJ |
| they | agreed | in | that | “that” | the | win | first | -ly | do | that | “the” | traveler | remove | her/his | cloak | be | the | recognize | like | more | strong | than | the | other |
Cèn Vorrás uxlakéd namé tsuyoy mènte komò podéd, baot yeè plus uxlakéd, plus cè celente zavinadse ìn sù umhangz; èt Vorrás zodavatsyád ostatetxnye.
| cèn | Vorrás | uxlakéd | namé | tsuyoy | mènte | komò | podéd | baot | yeè | plus | uxlakéd | plus | cè | celente | zavinadse | ìn | sù | umhangz | èt | Vorrás | zodavatsyád | ostatetxnye |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| ADV.DEM | N | V.PST | ADV.COMP | STRONG | POSTP.ADV | ADV.REL | V.PST | CONJ.ADV | ADJ.REL | ADV.COMP | V.PST | ADJ.COMP | ART | N | V.PST.PRNL | PREP | 3SG.POSS | N | CONJ | N | V.PST | ADV |
| then | Boreas | blow | so | strong | -ly | like | could/can | but | the more | more | blow | more | the | traveler | held | in | her/his | cloak | and | Boreas | give up | finally |
Cèn Raví akíd cermón mènte estátukvo cè celente gahtaanadse sù umhangz. Cèn cannig Vorrás akkeptáyd càt Raví sen plus cè tsuyoy dè nyiy onis.
| cèn | Raví | akí.d | cermón | mènte | estátukvo | cè | celente | gahtaana.d.se | sù | umhangz |
|---|---|---|---|---|---|---|---|---|---|---|
| ADV.DEM | N | V.PST | ADJ | POSTP.ADV | PURP | ART | ADJ | V.PST.PRNL | 3SG.POSS | N |
| then | Sun | shine | warm | -ly | so that | the | traveler | take off | his/her | cloak |
Conworld
| Arini | |
|---|---|
| Pronunciation | [/ä˩.ɾi˦ni˩/] |
| Created by | Cid Maonesa |
| Date | 905 |
| Setting | Kaybur |
| Ethnicity | Red pagans |
| Native speakers | 14 905 000 (2000 a. k. 3490 a. g.) 1 500 000 000 |
Redlangs
| |
Early forms | Proto-Ahmar
|
Standard form | Standard Arini
|
Dialects |
|
It should be remembered that the language, although intended as an auxlang for use in the real world, was adapted to be the lingua franca of Kaybur's world in his various novels, This is why this section is separate, as it could confuse people between its nature as artlang or real auxlang.
Alphabet
Although Arini can be written in different types of script, this has often caused confusion among speakers, since when trying to adapt Arini to other scripts, many On many occasions, it makes strange decisions that make it unintelligible to the languages that do use it, which for a long time complicated literacy, since students ended up confusing the letter—phoneme correspondence, In addition to some legal problems that arose, the use of the following alphabet for Arini has become popular, however, many rural communities still use their traditional script.
Phonology
The following table shows phonemes and some of the allophones of standard Arini. It should be noted that what is in "//" has more to do with what appears in the alphabet than with its actual transcription.
| Letter | /aɪ pi eɪ/ | [aɪ̯ pʰi̟ ɛɪ̯] | [Coda or Unstressed] |
|---|---|---|---|
| A | /a/ | [ä] | [ɐ] |
| B | /b/ | [b] | [β] |
| Bv | /bv/ | [ʋ̟ʷ] | n/a |
| C | /θ/ | [θ] | [ɹ̪̊] |
| Cr | /θr/ | [ɹ̝̊] | n/a |
| D | /d/ | [d̪] | [ð] |
| Dv | /dʷ/ | [ɹ̪ʷ] | n/a |
| Dj (Ġ) | /dʒ/ | [dʑ] | [dʒ] |
| E | /e/ | [e̞] | [ɜ̠] |
| F | /f/ | [ɸ] | [ʋ̟̊] |
| G | /ɡ/ | [ɡ] | [ɣ] |
| Gy (Ÿ) | /ɡʲ/ | [ɟ] | n/a |
| Gv (Ẇ) | /ɡʷ/ | [w] | n/a |
| Gz (Ẍ) | /gz/ | [ɡz̻] | [ɡz̻] |
| H | /h/ | [x] | [h̞] |
| Hr (Ṙ) | /x/ | [k̆] | n/a |
| Hy (Ḣ) | /xʲ/ | [ç] | n/a |
| I | /i/ | [i] | [i̟] |
| J | /ʒ/ | [ʑ] | [ʒ] |
| K | /k/ | [kʰ] | [kʼ] |
| Ks (Ẋ) | /ks/ | [ks̻] | [ks̻] |
| Kv (Q) | /kʷ/ | [kʷ] | n/a |
| Ky (Ẏ) | /kʲ/ | [c] | n/a |
| L | /l/ | [l] | [l] |
| Ly (Ŀ) | /lʲ/ | [ʎ] | n/a |
| M | /n/ | [m] | [n] |
| Mv | /m/ | [mʷ] | n/a |
| N | /ŋ/ | [ŋ] | [ŋ] |
| Ny (Ṅ) | /nʲ/ | [ɲ] | n/a |
| O | /o/ | [o̞] | /ɔ̠/ |
| P | /p/ | [pʰ] | /pʼ/ |
| R | /r/ | [ɾ] | [r] |
| rr | /rr/ | [r] | n/a |
| S | /s/ | [s̪] | [s̻] |
| Ts (Ṡ) | /ts/ | /t̟s̻/ | [t̟s̻] |
| T | /t/ | [t̪] | [tʼ] |
| Tx (Ċ) | /tʃ/ | [tɕ] | [tʃ] |
| V | /v/ | [ʊ̯] | [(ʊ̯)ʋ] |
| Vv (W) | /w/ | [vʷ] | n/a |
| Vy (Ꝡ) | /vj/ | [ʋʲ] | n/a |
| X | /ʃ/ | [ɕ] | [ʃ] |
| Y | /j/ | [ɪ̯] | [(ɪ̯)j] |
| Yv | /jv/ | [ɥ] | n/a |
| Yy | /jʲ/ | [jʲɪ̯] | n/a |
| Z | /z/ | [z̪] | [z̻] |
| ∅ | ∅ | [ʔ(ʲ)(ʷ)] | [.] |
| Dz (Ż) | /dz/ | [d̟z̻] | [d̟z̻] |
Some allophones will be necessary, but this is enough to give an idea of how the language behaves.
History
The language was initially spoken by pagan people in the Red Valley, southeast of what was the Kingdom of Fire, Just like in other territories, when the conquerors arrived at the place, they mixed with the people there and adopted their language (something common on the part of conquerors in this reality, since most had not developed a spoken language and continued to communicate with signs and interjections). It became the international language after the victory of the Empire of Spark, newly renamed the Kingdom of Fire, in the Great War (a world war). Some fluent Arini speakers claim that the Arini del Valle dialect, the successor to Arini (compare Italian with Latin), has become quite intelligible with Standard Arini, On the other hand, vulgar Arini usually refers to any regional dialect of Arini, with more or less influence from the phonology and vocabulary of the region and it's closely related to rural speech.
Exonyms and endonyms
Theese terms is not only used for local and foreign place names, but also for people's names. As Arini became international, people gave up on translating local names into Arini to make it easier to pronounce, and after a strong consensus after the Dark Ages (similar to the Middle Ages), all people began to have one to three names, depending on the country, which were completely in Arini, Such is the case of the protagonist of the novel "La Coroneta", who is called Káeli Xyovka かぁぇに セュェか めゎびゎま スとぉフゎッ㆟ がゎンがゎ.