Chlouvānem: Difference between revisions

m
Line 1: Line 1:
'''Chlouvānem''', natively '''Chlouvānaumi dældā''' ("language of the Chlouvānem people"), is the most spoken language on the planet of Calémere (Lac.: Liloejāmna). It is the official language of the Chlouvānem land (''Chlouvānaumi bhælā''), and a lingua franca in many areas of the eastern part of the continent of Evandor. Despite the fact that local vernaculars in most of the Chlouvānem lands are in fact daughter languages of Chlouvānem or creoles based on it, the ''Chlouvānaumi dældā'' is a fully living language as every Chlouvānem person is bilingual in it and in the local vernacular, and in fact in the last half century the Chlouvānem language itself has been replacing some vernaculars as internal migrations have become more and more common. About 1,4 billion people on the planet define themselves as native Chlouvānem speakers, more than for any other Calémerian language.
'''Chlouvānem''', natively '''Chlouvānaumi dældā''' ("language of the Chlouvānem people"), is the most spoken language on the planet of Calémere (Lac.: Liloejāmna). It is the official language of the Chlouvānem land (''Chlouvānaumi bhælā''), and a lingua franca in many areas of the eastern part of the continent of Evandor. Despite the fact that local vernaculars in most of the Chlouvānem lands are in fact daughter languages of Chlouvānem or creoles based on it, the ''Chlouvānaumi dældā'' is a fully living language as every Chlouvānem person is bilingual in it and in the local vernacular, and in fact in the last half century the Chlouvānem language itself has been replacing some vernaculars as internal migrations have become more and more common. About 1,4 billion people on the planet define themselves as native Chlouvānem speakers, more than for any other Calémerian language.


==Introduction==
==External History==


''Chlouvānem'' is the ninth radically restructured version of [[Laceyiam]]; ''[[User:Lili21|I]]'' started creating it in late November 2016 as I found some parts of my conworld which were too unrealistic to work - and as such by changing the whole conworld I had to change the language. I took that opportunity to change some things in the grammar that, while I liked them and they worked well, I wanted to do in some different way — mainly this arises from my love of more complex inflection patterns. As such, compared to Laceyiam, Chlouvānem has much more influences from ''Sanskrit'' and ''Lithuanian'' (which always were my main influences anyway); other natlangs that influenced me a lot are ''Russian'', ''Latvian'', ''Icelandic'', ''Proto-Indo-European'', ''(Biblical) Hebrew'', ''Latin'', and ''Japanese''. Still it is an a priori language and, despite having much in common with all of these (particularly with the IE ones), is also strikingly different (the Austronesian morphosyntactic alignment, morphological expression of evidentiality and more broadly the particular emphasis on moods probably being the most noticeable things). Moreover, I tried to create a language very different from my native language (Italian) while keeping many - not so apparent - similarities.<br />
''Chlouvānem'' is the ninth radically restructured version of [[Laceyiam]]; ''[[User:Lili21|I]]'' started creating it in late November 2016 as I found some parts of my conworld which were too unrealistic to work - and as such by changing the whole conworld I had to change the language. I took that opportunity to change some things in the grammar that, while I liked them and they worked well, I wanted to do in some different way — mainly this arises from my love of more complex inflection patterns. As such, compared to Laceyiam, Chlouvānem has much more influences from ''Sanskrit'' and ''Lithuanian'' (which always were my main influences anyway); other natlangs that influenced me a lot are ''Russian'', ''Latvian'', ''Icelandic'', ''Proto-Indo-European'', ''(Biblical) Hebrew'', ''Latin'', and ''Japanese''. Still it is an a priori language and, despite having much in common with all of these (particularly with the IE ones), is also strikingly different (the Austronesian morphosyntactic alignment, morphological expression of evidentiality and more broadly the particular emphasis on moods probably being the most noticeable things). Moreover, I tried to create a language very different from my native language (Italian) while keeping many - not so apparent - similarities.<br />
8,529

edits