Literature talk:Little Red Riding Hood: Difference between revisions

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[[Wiobian|↑ Wiobian]]


Traditional Wiobian music is melodious with relatively sparse accompaniment, often having two melodic voices in counterpoint for high-class music, though more recent music often calls for more dense orchestration. (read: cobbled together from gamelan, Southeast Asian and Baroque influences. Some Korean stuff will get in too) The music is based on a scale with fifteen notes per octave, that is capable of both small movements in melody and harmonic shifts ranging from the subtle to the dramatic. A wealth of inharmonic instruments such as  metallophones (Ɉürl-Zrong-Smiḥ), marimbas (Geim-Zrong-Smiḥ), cymbals and drums serve as ingredients for this sonic landscape. However also valued are harmonic instruments (such as stringed instruments e.g. the plucked or bowed zither-like ''Tünd'', the strummed and fretted ''Þaus-Bung'', and the bowed ''Nisch&Ker''; as well as fixed-pitch wind instruments; and last but not least the human voice), for their ability to imitate the human voice and to emphasize canonically harmonic intervals.
Trây music is broadly similar.
==Musical forms==
==Instruments==
How could instruments accomodate 15 notes per octave?
===Idiophones===
===String instruments===
===Wind instruments===
==Tuning and scales==
*8 + 7 is the most space-saving layout, ∴ porcupine?
*5 + 5 + 5 could work too
===Origins===
The Wiobian tuning system has its origins in the quasi-equal pentatonic scale, found in our world in e.g. [[w:gamelan|gamelan]] music - this system is described in Classical Wiobian texts.
===Development===
===Modern===
Modern renditions of canonical Wiobian traditional music often default to 15 tone equal temperament; that is, every step of the 15-note scale is spaced exactly equally. However, historically the tuning had more nuances.

Latest revision as of 02:05, 10 January 2019

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