Tseer

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Tseer/Lexicon
Swadesh list for Tseer
Tseer/Sketchbook

This article describes Classical Tseer. See Tseer for Modern Tseer.
Tseer
døludx Tseer
Created byIlL
SettingVerse:Tricin
Lakovic
  • Tseer
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Classical Tseer was a prominent classical language of Talma, second to Windermere; it left a significant influence on Windermere and Skellan.

Todo

  • Needs some vowel shifts
    • ø occurs when a (but not ä) is u-umlauted: *taafu > tøøfu
  • p > f
  • final -g, -w disappear
  • ś, g > kh /x/
  • s- > t /t/
  • -s > -x
  • š-, y- > x-
  • c, ć > tx, ts
  • t- > th /T/
  • CäC- > CC- in Wdm and CaC- in Tseezh

Numbers: don, oorad, txim, khaag, omøøtx, dag, abood, xev, wooj, thab, taxaa, trøg

thanam = ice

tawsuug = example

odoxmed = ??? (odosméd = 'byproduct' in Eevo)

nasal vowels merge with nonnasal vowels before m/n/ng/l?

Final -ng disappears leaving nasalization (as in Skellan)

hox = angle

thamex = side

ba<gon>aakh = proportion, ratio

anxoofay = climate

Phonology

Consonants

Classical Tseer has 21 phonemic consonants: Syllable-final v dh are allophones of /b d/, and syllable final b d g are allophones of /p t k/.

m n ng /ŋ/

t th /ʈ/ k ' /ʔ/

b d dh /ɖ/ g

f x /s~z/ kh /x/ h

tx /ts/ ts /tʃ/

v ð /ð/ (only syllable finally)

w r /r̝~ʒ/ l y /j/

Notes
  • /x/ is [ʂ] in some dialects
  • b d g = [p t k] word-finally.

Vowels

Classical Tseer has 10 vowels: 6 oral and 4 nasal.

a e i o u ø /a e i o u ɵ/

aa ee oo øø /ã ẽ õ ɵ̃/

/ɵ/ will be transcribed as /ø/ for convenience.

Stress

Classical Tseer had consistent final stress, like Classical Windermere.

Phonotactics

No initial clusters are allowed; also, final -p -t -th -k are forbidden.

Morphology

Classical Tseer morphology is much like Classical Windermere: nouns have masculine and feminine gender, and verbs inflect for aspect, tense, voice, and gender agreement using prefixes, infixes and reduplication.

Pronouns

I we (inc. du.) thou (m.) thou (f.) he she we (exc.) we (inc. pl.) you (m. pl.) you (f. pl.) they (m.) they (f.)
Full pronouns aar baa khen kheex in eex aarar baaba kheekhe kheekhex inin inix

Correlatives

Todo: correlatives table

this, that = ti, fi

this/that man = ten, fen; this/that woman = teex, feex

here, there = mid, mif

Nouns

Like Classical Windermere, each noun has an intrinsic gender, either masculine or feminine. For most feminine nouns, the feminine is marked with -x (pronounced [z] after V m n l r y v dh b d g, [əz] after x tx ts th and [s] after f kh).

  • ativ = son-in-law; ativx = daughter-in-law
  • bakhoo = uncle; bakhoox = aunt
  • athaay = lion; athaayx = lioness

Plurals are formed by reduplication with the reduplicant modified for phonotactic or euphonic reasons.

  • athaay 'lion' > a'athaay 'lions'
  • moog 'feather' > momoog 'feathers'

TODO: plural reduplication rules

Verbs

Verb template

feminine-TAM-pluractionality-voice-ROOT-TAM

Agreement

Feminine subject: wa-

Danutx-ir ownax /danu'tsir ow'nas/ = I loved the girl (male speaker)
Wadanutx-ir ownax /wadanu'tsir ow'nas/ = I loved the girl (female speaker)

Voice

  • Passive: haa- (~ Windermere ha-)
  • Reflexive/Reciprocal: ax (~ Wdm )

Verbal number

Pluractionality is used when a verb is done multiple times or done to multiple objects.

Pluractionality: Fe-, FeL-, eeFe- or eeFeL- (cf. Windermere frequentative enFă-)

TAM

Aspects/Tenses:

  • Perfective aspect: unmarked
  • Intensive: tho-, ~ Wdm. thu-
  • Imperfective aspect: le- or reduplication
  • Progressive: oL-, oo- (~ Wdm. ăL-, Modern oL- with non-past meaning)
  • Imperative: af- (~ Wdm. hef-; Modern Tseer uses xa- for imperative)

Derivation

Reconstruct more derivational morphology in PLak!

  • r = patientive
  • kh = verbalizer or patientive
  • t~d = applicative
  • xi- = adjectivizer
    • xilakow = free, wakoo originally meant 'human'
  • ta- = nominalizer
  • bo- = agentive
  • la- = verbalizer
  • (diminutive redup)
  • cognates to Wdm derivational redup patterns
  • di- = non-
  • a' (with glottal stop) = non-, un-, de-, dis-

Poetry

Tseer poetry is based on lines with

  • set numbers of syllables, usually with caesurae and stressed metrical feet
  • the lines rhyme in some rhyme scheme, usually in couplets (aa) or quatrains (aaaa).