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Verse:Hmøøh/Etsoj Jopah: Difference between revisions
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==Tuning theory== | ==Tuning theory== | ||
His '' | His ''Muiḋillechaḋ Gnaoth'' described a wide variety of just intonation tunings, including: | ||
* eikosanies and other CPS's | * eikosanies and other CPS's | ||
* constant structures | * constant structures | ||
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Jopah's work laid the foundation for Talman music in the last three centuries. In particular, his work on constant structures inspired [[Verse:Tricin/Rhooc Askuucis|Rhooc Askuucis]]'s subsequent work on equal temperaments. | Jopah's work laid the foundation for Talman music in the last three centuries. In particular, his work on constant structures inspired [[Verse:Tricin/Rhooc Askuucis|Rhooc Askuucis]]'s subsequent work on equal temperaments. | ||
It's remarkable that Jopah composed very little during his lifetime; only one piece of his survives, '' | It's remarkable that Jopah composed very little during his lifetime; only one piece of his survives, ''Dem·lathṁar an mbróŋae den cesand'' (meaning? should be a sentence). However, Jopah's poetry is very popular in modern Talma and has been set to music by quite a few composers; most notably the Clofabian composer Abediterol Benadryl. | ||
Jopah's understanding of tuning was more metaphysical than practical. For example Jopah proposed a novel 31 tone scale: | Jopah's understanding of tuning was more metaphysical than practical. For example Jopah proposed a novel 31 tone scale: | ||