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[[Sjowaazheñ]] music is either monophonic or homophonic. Accompaniment, if present at all, is sparse and consists of only one voice (in addition to percussion). | [[Sjowaazheñ]] music is either monophonic or homophonic. Accompaniment, if present at all, is sparse and consists of only one voice (in addition to percussion). | ||
Some Sjowaazheñ instruments are the lute (''ya'ook''), various spike fiddles (''shjhedgaañt''), the lyre (''biliiwid''), various end-blown flutes (''joweet'''), the | Some Sjowaazheñ instruments are the lute (''ya'ook''), various spike fiddles (''shjhedgaañt''), the lyre (''biliiwid''), various end-blown flutes (''joweet'''), the bass drum (''khool'') and the woodblocks (''ghonyeeñ''). String instruments usually are unfretted but marked at perfect fourths. | ||
==Tuning== | ==Tuning== | ||
The Sjowaazheñ tradition takes a purely melodic, rather than harmonic, approach to tuning, unlike the [[Verse:Tricin/Etalocin/Music#Talman_music|Talman]] and [[Verse:Tricin/Bjeheond/Music|Bjeheondian]] traditions. Traditionally, the building blocks of Sjowaazheñ scales are tetrachords or pentachords which divide the perfect fourth into three or four intervals. Innovations over the years have led to finer divisions or "n-chords" of the perfect fourth in more "sophisticated" music. The general term for an n-chord in Sjowaazheñ is ''hañbaac'' (pl. ''hañbaacin''). | The Sjowaazheñ tradition takes a purely melodic, rather than harmonic, approach to tuning, unlike the [[Verse:Tricin/Etalocin/Music#Talman_music|Talman]] and [[Verse:Tricin/Bjeheond/Music|Bjeheondian]] traditions. Traditionally, the building blocks of Sjowaazheñ scales are tetrachords or pentachords which divide the perfect fourth into three or four intervals. Innovations over the years have led to finer divisions or "n-chords" of the perfect fourth in more "sophisticated" music. The general term for an n-chord in Sjowaazheñ is ''hañbaac'' (pl. ''hañbaacin''). | ||