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Chlouvānem/Literature: Difference between revisions
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===First wave of socialist realism and Agrarianism=== | ===First wave of socialist realism and Agrarianism=== | ||
As in the Nāɂahilūmi era, literature (and all arts) of the early Kaiṣamā show a dualism between works following the official ideology and nonconformism. The official ideology of the Kaiṣamā idealized a socialist | As in the Nāɂahilūmi era, literature (and all arts) of the early Kaiṣamā show a dualism between works following the official ideology and nonconformism. The official ideology of the Kaiṣamā idealized a socialist realist style: the very first works are concerned with a communist reconstruction of the world after the war (a view pervasive in what is acclaimed as possibly the greatest socialist realist masterpiece, the 6330 novel ''Naijukah''<ref>The ''naijukah'', in Chlouvānem fairytales, is a magical "phoenix lizard" that resurrects itself one lunar cycle after it is killed.</ref> by Lairyāvi Hunipaira ''Lālašvāti'', later acclaimed as a pioneer work of modern fairytale realism, a current that would bloom in the post-Kaiṣamā era) often emphasizing the unity of the Kaiṣamā not under communism but under the Yunyalīlti faith, explaining communism – as still common today in the Inquisition – as being basically a form of "liturgy-less Yunyalīlti practice", the first step towards conversion of heretics.<br/> | ||
Later socialist realism was almost a return to industrial-era works, more concerned with praising the technological advances and the wonders of modernity, though often with distinctively communist themes. Notable works of this current include ''Šulakunavi ga ñarīlīm jāmṝṣa'' (the Dike in the Hülakŭnaw mountains), written in Chlouvānem by Kŭyŭgwaž author Žahalŭni Büdikürbey<ref>In Chlouvānem sources Kaujahulyāvi Byudikyurbayeh ''Jahalunih'' — note that the ''-bey'' of her Kŭyŭgwaž surname is actually unrelated to the Chlouvānem surname-forming suffix ''-bayeh''; in fact the original morpheme is ''-ürbey''.</ref> and the verse poem ''Mālimi janāye tęstīlde'' (the Cranes in the Port of Mālim) by poet Chlærmitūvāvi Nilga ''Mailhomma''. | Later socialist realism was almost a return to industrial-era works, more concerned with praising the technological advances and the wonders of modernity, though often with distinctively communist themes. Notable works of this current include ''Šulakunavi ga ñarīlīm jāmṝṣa'' (the Dike in the Hülakŭnaw mountains), written in Chlouvānem by Kŭyŭgwaž author Žahalŭni Büdikürbey<ref>In Chlouvānem sources Kaujahulyāvi Byudikyurbayeh ''Jahalunih'' — note that the ''-bey'' of her Kŭyŭgwaž surname is actually unrelated to the Chlouvānem surname-forming suffix ''-bayeh''; in fact the original morpheme is ''-ürbey''.</ref> and the verse poem ''Mālimi janāye tęstīlde'' (the Cranes in the Port of Mālim) by poet Chlærmitūvāvi Nilga ''Mailhomma''. | ||