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Verse:Hmøøh/Prăfin of Bălang: Difference between revisions
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*''Doan șăngut Łep'' (One to Eight) - a postminimalist piece in the Răthamrona tradition, for dulcimer, eight flutes or cellos and eight ''pātre''s | *''Doan șăngut Łep'' (One to Eight) - a postminimalist piece in the Răthamrona tradition, for dulcimer, eight flutes or cellos and eight ''pātre''s | ||
*''Āku viḍavē Saraṇāva'' (''Ec fi Sarana yăthang'', Over the calm Sarana) and ''Sakhēḷi hā Vaṇē Baḷāng'' (''Rie pădar teał łen, ey Bălang hachüs'', Dear Balang, I must leave you) - Palkhan classical pieces, commissioned by the vocalist ___ | *''Āku viḍavē Saraṇāva'' (''Ec fi Sarana yăthang'', Over the calm Sarana) and ''Sakhēḷi hā Vaṇē Baḷāng'' (''Rie pădar teał łen, ey Bălang hachüs'', Dear Balang, I must leave you) - Palkhan classical pieces, commissioned by the vocalist ___ | ||
**The lyrics of ''Āku viḍavē Saraṇāva'' were written by the Palkhan poet Ṇajabaḷda, while ''Sakhēḷi hā Vaṇē Baḷāng'' was written by lyricist H.V. Sarapaṇaṭṭa, a friend of Yăchef rith Sămtsay. | **The lyrics of ''Āku viḍavē Saraṇāva'' were written by the Palkhan poet Ṇajabaḷda, while ''Sakhēḷi hā Vaṇē Baḷāng'' was written by lyricist and Palkhan scholar H.V. Sarapaṇaṭṭa, a friend of Yăchef rith Sămtsay. | ||
Sakhēḷi hā Vaṇē Baḷāng, | Sakhēḷi hā Vaṇē Baḷāng, | ||
Rasōṇu yāta ṭhēvaṇā! | Rasōṇu yāta ṭhēvaṇā! | ||