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*''Doan șăngut Łep'' (One to Eight) - a postminimalist piece in the Răthamrona tradition, for dulcimer, eight flutes or cellos and eight ''pātre''s | *''Doan șăngut Łep'' (One to Eight) - a postminimalist piece in the Răthamrona tradition, for dulcimer, eight flutes or cellos and eight ''pātre''s | ||
*''Āku viḍavē Saraṇāva'' (''Ec fi Sarana yătham'', Over the calm Sarana) and ''Sakhēḷi hā Vaṇē Baḷāng'' (''Rie pădar teał łen, ey Bălang hachüs'', Dear Balang, I must leave you) - Palkhan classical pieces, commissioned by the vocalist ___ | *''Āku viḍavē Saraṇāva'' (''Ec fi Sarana yătham'', Over the calm Sarana) and ''Sakhēḷi hā Vaṇē Baḷāng'' (''Rie pădar teał łen, ey Bălang hachüs'', Dear Balang, I must leave you) - Palkhan classical pieces, commissioned by the vocalist ___ | ||
**The lyrics of ''Āku viḍavē Saraṇāva'' were written by the Palkhan poet Ṇajabaḷda, while ''Sakhēḷi hā Vaṇē Baḷāng'' was written by lyricist and Palkhan scholar H.V. Sarapaṇaṭṭa, a friend of Yăchef rith Sămtsay. | |||
Sakhēḷi hā Vaṇē Baḷāng, | |||
Rasōṇu yāta ṭhēvaṇā! | |||
Ho Khēdayā ḷdaṇē cavā | |||
Yaḍūn saḷā tarōḷdumā | |||
Ṇatēta vāṇnatō vaṭē, | |||
Hutēri hā Ḷdurāṇahē, | |||
Atē, ''yaf binsithnga 'mnutłach'' | |||
Itē Pravīṇa-ṇōjavē | |||
Composed in Bjeheond: | Composed in Bjeheond: | ||
*''Fi Rănang Dihatuay'' (The Invisible Wolf) - story and tone poem | *''Fi Rănang Dihatuay'' (The Invisible Wolf) - story and tone poem |
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