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''' | '''Paḷkha''' ([[Windermere]]: ''Palcha'', [[Palkhan]]: <i>Ḷpaḷkha</i> /ɭpaɭkʰa/) is a predominantly Windermere-speaking continent. It is located near [[Verse:Tricin/Qaaroxṯer|Qaaroxṯer]]. | ||
==Geography== | ==Geography== | ||
Its capital is | Its capital is Lăthamrona (''Ḷdamrōṇa'' in Paḷkhan). | ||
==Wildlife== | ==Wildlife== | ||
Paḷkha has distinct wildlife though not as distinct as Cualuav. | |||
==Music== | ==Music== | ||
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Inspiration: gayageum sanjo, Ancient Greek music? | Inspiration: gayageum sanjo, Ancient Greek music? | ||
The quintessential Pategian musical instruments are (some kind of lyre or fiddle?), and the Pategian drum (''feam Patiguș'' in Windermere; | The quintessential Pategian musical instruments are (some kind of lyre or fiddle?), and the Pategian drum (''feam Patiguș'' in Windermere; ''pātre'' in Paḷkhan). | ||
Paḷkhan music is highly multi-ethnic and uses elements from both native styles and Talman ones. Native Paḷkhan music tends to be richly ornamented, and is based on a heptatonic scale. | |||
Some ornaments include: | Some ornaments include: | ||
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*slides | *slides | ||
Paḷkha has its own offshoot of Windermere music as well. Some styles that fell out of use in Talma are still commonly performed in Paḷkha, such as the song with intoning voice (''wălam yăthmear''). Paḷkhais in fact home to the composer Dăraf Ko, a leading composer of ''yăthmear'' songs today, some of which incorporate native Paḷkhan classical styles in addition to Windermere ones. | |||
===Răthamrona school=== | ===Răthamrona school=== | ||
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Rough timeline: | Rough timeline: | ||
50 years before present: Styles very similar to minimalism and ambient music emerge in | 50 years before present: Styles very similar to minimalism and ambient music emerge in Paḷkha. Pieces composed by the Lăthamrona school around that time can stretch for over 5 hours. | ||
30 years BP: People have enough of that style and rebel, creating some of the most wildly dissonant music in Tricin (sometimes using crazy equal temperaments). | 30 years BP: People have enough of that style and rebel, creating some of the most wildly dissonant music in Tricin (sometimes using crazy equal temperaments). | ||
25 years BP: Minimalism makes a comeback in a slightly more "folksy" form (pieces are shorter etc.) The PSyT (''Prăctheng Sngoal Yătălisrił'' "Experimental Music Society") forms a branch in | 25 years BP: Minimalism makes a comeback in a slightly more "folksy" form (pieces are shorter etc.) The PSyT (''Prăctheng Sngoal Yătălisrił'' "Experimental Music Society") forms a branch in Paḷkha, led by Schaus-Schaus Flein. More fully acoustic pieces are written in the last 25 years. | ||
===Pategian minimalism=== | ===Pategian minimalism=== | ||
Minimalist pieces from the | Minimalist pieces from the Lăthamrona school, ironically, have some of the most complex harmonic progressions in Trician music. One famous piece, ???, has over a hundred chord progressions, each modulating up by a microcomma. | ||
=== | ===Paḷkhan postminimalism=== | ||
Paḷkhan musical compositions from the last three decades often revolve around polyrhythms. | |||
==Famous | ==Famous Paḷkhans== | ||
Dăraf '''Ko''' - neoclassical composer of (Bjeheondian) Windermere descent | Dăraf '''Ko''' - neoclassical composer of (Bjeheondian) Windermere descent | ||