7,731
edits
Verse:Hmøøh/Pategia: Difference between revisions
Jump to navigation
Jump to search
no edit summary
No edit summary |
No edit summary |
||
| Line 1: | Line 1: | ||
'''Pategia''' ([[Windermere]]: ''Wen Nuth'', [[Pategian]]: <i> | '''Pategia''' ([[Windermere]]: ''Wen Nuth'', [[Pategian]]: <i>Nủtuqeli</i> or <i>Pâtẻgqeli</i>) is a predominantly Windermere-speaking continent. | ||
Anthem: Chnur Păchnay Sămtsay ('King Sămtsay Song') | Anthem: Chnur Păchnay Sămtsay ('King Sămtsay Song') | ||
==Geography== | ==Geography== | ||
Its capital is Thamrona ('' | Its capital is Thamrona (''Tảmrhỏna'' in Paḷkhan). | ||
==Wildlife== | ==Wildlife== | ||
| Line 13: | Line 13: | ||
Inspiration: gayageum sanjo, Ancient Greek music? | Inspiration: gayageum sanjo, Ancient Greek music? | ||
The quintessential Pategian musical instruments are (some kind of lyre or fiddle?), and the Pategian drum (''feam | The quintessential Pategian musical instruments are (some kind of lyre or fiddle?), and the Pategian drum (''feam Nuth'' in Windermere; ''sảroz'' in Paḷkhan). | ||
Paḷkhan music is highly multi-ethnic and uses elements from both native styles and Talman ones. Native Paḷkhan music tends to be richly ornamented, and is based on a heptatonic scale. | Paḷkhan music is highly multi-ethnic and uses elements from both native styles and Talman ones. Native Paḷkhan music tends to be richly ornamented, and is based on a heptatonic scale. | ||
| Line 22: | Line 22: | ||
*slides | *slides | ||
Paḷkha has its own offshoot of Windermere music as well. Some styles that fell out of use in Talma are still commonly performed in | Paḷkha has its own offshoot of Windermere music as well. Some styles that fell out of use in Talma are still commonly performed in Pategia, such as the song with intoning voice (''wălam yăthmear''). Pategia is in fact home to the composer Dăraf Ko, a leading composer of ''yăthmear'' songs today, some of which incorporate native Paḷkhan classical styles in addition to Windermere ones. | ||
===Thamrona school=== | ===Thamrona school=== | ||
| Line 38: | Line 38: | ||
Minimalist pieces from the Thamrona school, ironically, have some of the most complex harmonic progressions in Trician music. One famous piece, ???, has over a hundred chord progressions, each modulating up by a microcomma. | Minimalist pieces from the Thamrona school, ironically, have some of the most complex harmonic progressions in Trician music. One famous piece, ???, has over a hundred chord progressions, each modulating up by a microcomma. | ||
=== | ===Pategian postminimalism=== | ||
Pategian musical compositions from the last three decades often revolve around polyrhythms. | |||
==Famous Paḷkhans== | ==Famous Paḷkhans== | ||