139,791
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Scellan/Wordlist: Difference between revisions
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m
→Music
m (→JI intervals) |
m (→Music) |
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**miclindu = dissonance | **miclindu = dissonance | ||
*sra = chord | *sra = chord | ||
*þyléc = to compose | *þyléc = to compose | ||
**þiléc = composition | **þiléc = composition | ||
| Line 942: | Line 939: | ||
*yrðeen = a dance of Fyxoomian origin | *yrðeen = a dance of Fyxoomian origin | ||
===Intervals and tuning=== | ===Intervals and tuning=== | ||
====Intervals==== | |||
==== | |||
Just intonation intervals, or approximations to them, are named in the scheme "m-th division-into-n", meaning n/(n-m). | Just intonation intervals, or approximations to them, are named in the scheme "m-th division-into-n", meaning n/(n-m). | ||
| Line 959: | Line 954: | ||
#*bifooþ arn = 7/5 | #*bifooþ arn = 7/5 | ||
#*bifooþ nyðjar = 7/4 | #*bifooþ nyðjar = 7/4 | ||
===Scales=== | |||
*tsyniláp ŋohda = pure tuning | |||
*þimẃ þur ry rifáþ = undertone scale | |||
**N þimẃ þur ry rifáþ = undertone scale from undertones N to 2N | |||
*þimẃ sipagonañç ry rifáþ, abbrev. þprr' (lit. "proportional splitting/partition of the ratio 2", so named since every step has an equal frequency ratio) = equal temperament/equal division of the octave | |||
**N þimẃ sipagonañç ry rifáþ = N-tone equal temperament | |||
==Miscellaneous objects== | ==Miscellaneous objects== | ||