User:IlL/Spare pages 1/80: Difference between revisions

Jump to navigation Jump to search
m
no edit summary
Tags: Mobile edit Mobile web edit
mNo edit summary
Tags: Mobile edit Mobile web edit
Line 9: Line 9:
Vocal polyphony (''sar-nóoslownth'' 'group singing') is an important part of Shalian music, especially in ceremonies such as coming of age parties, weddings, festivities, and funerals. Troupes of singers are trained from a young age to harmonize, vocalize rhythms, clap, snap their fingers and make various gestures. Sung music reflects the glottal stops, stress accent and long-short rhythms of the Shalian language.
Vocal polyphony (''sar-nóoslownth'' 'group singing') is an important part of Shalian music, especially in ceremonies such as coming of age parties, weddings, festivities, and funerals. Troupes of singers are trained from a young age to harmonize, vocalize rhythms, clap, snap their fingers and make various gestures. Sung music reflects the glottal stops, stress accent and long-short rhythms of the Shalian language.


Solo vocal music is most often unaccompanied and improvised, or remembered as folk songs.
Composed solo vocal music (''jainóoslownth'') OTOH is considered upper class music as opposed to folk music.


===Tuning===
===Tuning===
138,759

edits

Navigation menu